Construction of the primitive choir XIIe ou XIIIe siècle (≈ 1350)
Choir in ruins today visible.
Fin XVe siècle
Gothic reshuffle
Gothic reshuffle Fin XVe siècle (≈ 1595)
Arc triumphal, nave and side doors redone.
XIXe siècle
Restoration of the bell tower wall
Restoration of the bell tower wall XIXe siècle (≈ 1865)
Unique bay redones at this time.
21 juin 1971
Historical Monument
Historical Monument 21 juin 1971 (≈ 1971)
Registration by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle Saint-Caprais (former) (Box B 667): inscription by order of 21 June 1971
Key figures
Seigneurs de la Barathée - Local owners
Use the right side door.
Origin and history
The Chapel of Saint-Caprais de Bouloc, located in the village of Bouloc-en-Quercy, is a Romanesque building, deeply renovated at the end of the 15th century. It is distinguished by its semicircular apse arched in cul-de-four, typical of Romanesque architecture, while its broken triumphal arch and nave were rebuilt in a late Gothic style. The facade, pierced by a broken arched door, supports a single bay bell tower, restored in the 19th century. Two side doors, now extinct, once rhythmized the nave: the one on the left, known as the door of the dead, was reserved for the dead, while the one on the right was used by the local lords of the Barathea.
The nearby ruined choir belongs to an earlier building probably dating back to the 12th or 13th centuries. This vestige bears witness to an earlier religious occupation on the site. The chapel, classified as Historic Monument by decree of 21 June 1971, is now owned by the commune. Its simple plan and successive modifications reflect the architectural and liturgical developments of the region, between the Middle Ages and the modern era.
The site is part of the historic landscape of Quercy, an area marked by a dense network of small rural churches and seigneurial chapels. These buildings played a central role in community life, serving as places of worship, burial and assembly. The distinction between the door of the dead and the seigneurial entrance illustrates the social stratification of the time, where funeral practices and nobliary privileges intertwined in the sacred space.
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