Papal indulgence bubble 1387 (≈ 1387)
Granted by Urban VI for a previous building.
XVIe siècle (1ère moitié)
Construction of the nave
Construction of the nave XVIe siècle (1ère moitié) (≈ 1650)
Presumed period for the nave and chapel south.
1600-1699
Architectural additions
Architectural additions 1600-1699 (≈ 1650)
West facade, south porch and ossuary built.
27 février 1926
Historical monument classification
Historical monument classification 27 février 1926 (≈ 1926)
Registration by official order.
1990
Major renovation
Major renovation 1990 (≈ 1990)
Gable and roof restoration.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle Saint-Gilles: inscription by order of 27 February 1926
Key figures
Urbain VI - Pope (1378-1389)
Gives a bubble of indulgence in 1387.
Origin and history
The chapel Saint-Gilles de Gouarec, located in the Côtes-d'Armor department in Brittany, is a religious building dating mainly from the sixteenth century. It was once a trevial church dependent on the parish of Plouguernével, under the diocese of Quimper, which explains the presence of a cemetery and an ossuary nearby. It replaced an older building, attested by a bubble of indulgence granted in 1387 by Pope Urban VI, thus marking its historical and religious importance in the Middle Ages.
The chapel has undergone architectural transformations over the centuries: the nave and southern chapel probably date back to the first half of the 16th century, while the west facade, the south porch and the ossuary date back to the 17th century, and the 18th century sacristy. A major renovation took place in 1990, requiring the dismantling and stone reassembly of the bell-bearing pinion, as well as the complete repair of the roofs. This work demonstrates efforts to preserve this heritage.
Classified as a historical monument by decree of 27 February 1926, the chapel Saint-Gilles is now owned by the commune of Gouarec. Its inscription reflects its architectural and historical value, notably as an example of Breton religious art of the sixteenth and seventeenth centuries. Available sources, such as the Mérimée bases and the Observatory of Religious Heritage, highlight its role in the local cultural landscape.
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