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Chapelle Saint-Jean de L'Argentière-la-Bessée dans les Hautes-Alpes

Patrimoine classé
Patrimoine religieux
Chapelle romane
Hautes-Alpes

Chapelle Saint-Jean de L'Argentière-la-Bessée

    1 Rue Saint-Jean
    05120 L'Argentière-la-Bessée
Chapelle Saint-Jean de LArgentière-la-Bessée
Chapelle Saint-Jean de LArgentière-la-Bessée
Chapelle Saint-Jean de LArgentière-la-Bessée
Chapelle Saint-Jean de LArgentière-la-Bessée
Crédit photo : Sébastien HOSY - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1800
1900
2000
1208
First written entry
XIIe siècle
Initial construction
12 juillet 1886
Historical monument classification
Début du XXe siècle
Restoration of the bell tower
Aujourd'hui
Aujourd'hui

Heritage classified

Chapelle Saint-Jean : classification by decree of 12 July 1886

Key figures

Information non disponible - No character cited The source text does not mention any named historical actor.

Origin and history

The chapel Saint-Jean de L'Argentière-la-Bessée is a 12th century religious building located in the Hautes-Alpes department in the Provence-Alpes-Côte d'Azur region. It belonged to a commandery of the knights of St John of Jerusalem, mentioned in 1208 under the name Capelle Sancti Johannis de gradibus Karoli. Nearby was a house of hospitality, highlighting its role in welcoming pilgrims or travellers.

Ranked a historical monument by decree of 12 July 1886, the chapel is distinguished by its Romanesque architecture. It features a unique nave of three vaulted bays in a cradle, a cul-de-four bedside adorned with arcatures, and a rectangular two-storey bell tower. The exterior trims, in small tufa apparatus, contrast with the elements of Guillestere pink marble, such as the thresholds of the southern doors. A restoration at the beginning of the 20th century changed the wooden bell tower campanile, replaced by an additional floor.

The southern façade has two remarkable doors: a carved lintel portal, formerly framed with columnettes, and a second entrance surmounted by a landfill arch. The tympanum, potentially painted, and the cubic capitals of the engaged columnettes of the bedside testify to a sober but elaborate decoration. The building illustrates the influence of military-religious orders in the region and their preserved architectural heritage.

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