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Chapelle Saint-Maudet de Clohars-Carnoët dans le Finistère

Patrimoine classé
Patrimoine religieux
Chapelle gothique
Clocher-mur
Finistère

Chapelle Saint-Maudet de Clohars-Carnoët

    Rue du Philosophe-Alain
    29360 Clohars-Carnoët
Chapelle Saint-Maudet de Clohars-Carnoët
Chapelle Saint-Maudet de Clohars-Carnoët
Chapelle Saint-Maudet de Clohars-Carnoët
Chapelle Saint-Maudet de Clohars-Carnoët
Chapelle Saint-Maudet de Clohars-Carnoët
Crédit photo : Moreau.henri - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
XVIe siècle
Initial construction
1956
Transfer from the chapel
12 juillet 1962
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Chapelle Saint-Maudet (Cd. AL 71): inscription by order of 12 July 1962

Key figures

Pierre Brunerie - Architect Responsible for the transfer in 1956.
Alfred Manessier - Glass artist Author of modern stained glass.
Jean Le Moal - Glass artist Author of modern stained glass.

Origin and history

The chapel of Saint Maudet, originally located in the former commune of Nizon (now Clohars-Carnoët), was since the 16th century a major place of worship for the forgiveness of horses in the Finistère. This forgiveness, which was once widely practiced, declined at the beginning of the 20th century, resulting in a gradual disinterest of local authorities in the building. Despite this loss of religious importance, the chapel remained an architectural witness to Breton traditions.

In 1956, under the impetus of the tourist development of Clohars-Carnoët, the municipality decided to build a new church and to transfer the chapel Saint Maudet. Confed to the architect Pierre Brunerie, the dismantling and winding were carried out with meticulous precision, preserving each original element, including the frame. Although moved, the chapel regained its original appearance, losing only its historical and sentimental value linked to its original location.

The chapel was listed as historic monuments by decree of 12 July 1962, recognizing its heritage value. Today it is distinguished by its stained glass windows created by modern artists such as Alfred Manessier and Jean Le Moal, combining medieval heritage and contemporary art. Its current framework, chosen to maintain its character, perpetuates its cultural role in the region.

External links