Initial construction 2e moitié du XVe siècle (≈ 1550)
Rectangular building built by Pierre de Trolong.
XVIe siècle
Roquefeuil Funeral Chapel
Roquefeuil Funeral Chapel XVIe siècle (≈ 1650)
Place of memory for the family.
XVIIIe et XIXe siècles
Partial restorations
Partial restorations XVIIIe et XIXe siècles (≈ 1865)
Reconstruction and maintenance of the building.
16 juin 1964
Registration for Historic Monuments
Registration for Historic Monuments 16 juin 1964 (≈ 1964)
Official protection of heritage.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle Saint-Nicolas de Kerhir (Box C 190): inscription by order of 16 June 1964
Key figures
Pierre de Trolong - Lord of Kerhir
Sponsor of the chapel in the 15th century.
Péronnelle Arrel - Wife of Pierre de Trolong
Co-commander of the building.
Origin and history
The chapel Saint-Nicolas de Kerhir, located in Trédarzec, Brittany, is a rectangular building built in the second half of the 15th century. It was erected at the initiative of Pierre de Trolong, lord of Kerhir, and his wife Peronnelle Arrel, who made it their funeral chapel. This monument, characteristic of Breton religious architecture of the late Middle Ages, is linked to the house of Roquefeuil from the 16th century. Its simple plan and orientation reflect the funeral and devotional practices of the local lords of the time.
Over the centuries, the chapel has undergone partial transformations, including restorations in the 18th and 19th centuries. A dwelling for the chaplain, probably built between the 16th and 17th centuries, was attached to him, while a fountain of devotion of the 18th century completed the whole. The 15th century glass windows, now deposited in the chapel, bear witness to its rich artistic heritage. The building, registered with the Historical Monuments in 1964, retains a central place in the religious and historical landscape of Trédarzec.
The chapel is part of an architectural complex including a dwelling forming an obtuse angle with it, creating a returning placister on the west. This arrangement, typical of the Breton parish groups, emphasized both the religious function and the seigneurial status of the place. The sponsors, Pierre de Trolong and Peronnelle Arrel, left a lasting imprint there, while the Roquefeuil family made it a place of dynastic memory from the Renaissance.
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