Crédit photo : Véronique PAGNIER - Sous licence Creative Commons
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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
…
1900
2000
4e quart du XIIe siècle - XIIIe siècle
Construction of the chapel
Construction of the chapel 4e quart du XIIe siècle - XIIIe siècle (≈ 1287)
Construction period and wall decoration
28 décembre 1984
Historical monument classification
Historical monument classification 28 décembre 1984 (≈ 1984)
Official protection by the French State
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle Saint-Théodoric, including murals (Box I 101): Order of 28 December 1984
Key figures
Information non disponible - No character identified
Sources do not mention any historical actors
Origin and history
The chapel Saint-Théodoric de Châteauneuf-du-Pape, located in the Vaucluse department in the Provence-Alpes-Côte d'Azur region, dates from the 4th quarter of the 12th and 13th centuries, although some sources evoke a possible origin in the 11th century. It is distinguished by its vestiges of murals in the abside, probably dating back to the twelfth century. These frescoes, though fragmentary, bear witness to the local medieval religious art and the cultural importance of the site at that time.
Classified as a historical monument since 28 December 1984, the chapel is now the property of the commune of Châteauneuf-du-Pape. It has been converted to an exhibition site, illustrating a desire for heritage value while preserving its historical character. Its official address, according to the Merimée base, is 5662 Avenue Baron le Roy, although its exact location is sometimes subject to map approximations.
Available sources, including Wikipedia and Monumentum, highlight its role in the religious and architectural landscape of Comtat Venaissin, an area marked by the papacy's influence in the 14th-17th centuries. The chapel is thus part of a territory rich in Christian monuments, reflecting both the medieval heritage and the local dynamics of conservation. Its classification explicitly includes murals, strengthening their legal protection.
No specific information is available on sponsors or artists who have worked on frescoes, nor on the exact liturgical uses of the chapel before its conversion. Bibliographical references, such as Yann Codou and Giulia Puma (2017), however, offer extensive archaeological analyses, placing the monument in the wider context of the Vaucluse religious buildings and their evolution under papal influence.
The chapel Saint-Théodoric thus embodies a heritage with a double face: on the one hand, a material witness of the Provençal Middle Ages, with its painted decorations and modest architecture; on the other hand, a contemporary cultural space, open to the public for exhibitions. This duality makes it an emblematic example of the challenges of preserving and reappropriating historical monuments in France.
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