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Chapelle Sainte-Madeleine de Bourg-en-Bresse dans l'Ain

Patrimoine classé
Patrimoine religieux
Chapelle
Eglise moderne
Ain

Chapelle Sainte-Madeleine de Bourg-en-Bresse

    41-43 Boulevard Paul Bert
    01000 Bourg-en-Bresse
Chapelle Sainte-Madeleine de Bourg-en-Bresse
Chapelle Sainte-Madeleine de Bourg-en-Bresse 
Chapelle Sainte-Madeleine de Bourg-en-Bresse 
Chapelle Sainte-Madeleine de Bourg-en-Bresse 
Chapelle Sainte-Madeleine de Bourg-en-Bresse 
Chapelle Sainte-Madeleine de Bourg-en-Bresse 
Chapelle Sainte-Madeleine de Bourg-en-Bresse 
Chapelle Sainte-Madeleine de Bourg-en-Bresse 
Chapelle Sainte-Madeleine de Bourg-en-Bresse 
Chapelle Sainte-Madeleine de Bourg-en-Bresse 

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1826
Asylum Foundation
1933-1935
Construction of the chapel
18 mars 1934
Blessing of the carillon
24 octobre 1935
Consecration of the chapel
14 mai 2012
Label *Twentieth Century Heritage*
22 octobre 2013
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

The entire chapel (located in the former hospital building sis 13, avenue de la Victoire, and built on the immediate edge of Paul-Bert Street that allows access to it and on part of the plot AM 289): inscription by order of 22 October 2013

Key figures

Georges Curtelin - Architect Designer of the chapel (1933-1935).
Mère Angélique - Superior of the Sisters of Saint Joseph Initiator of the project (done in 1902).
Mère Ambroise - Superior of the Sisters of Saint Joseph Effective commander of the chapel.
Jean Coquet - Painter and sculptor Author of the interior decoration (1935).
Joseph Belloni - Sculptor Collaborator in artistic creation.
Amédée Cateland - Goldsmith Craft of decorative metallic elements.
Mgr Amédée Maisonobe - Bishop of Belley Consecrator of the chapel in 1935.

Origin and history

The Sainte-Madeleine chapel of Bourg-en-Bresse, located in the department of Ain, was built between 1933 and 1935 under the direction of the Lyon architect Georges Curtelin, in the enclosure of a religious asylum dedicated to alienated women. This project, initiated by the Superior Mother Angélique in 1902 but carried out under Mother Ambrose, replaces a chapel that became too small for an establishment welcoming nearly 1,000 patients at the beginning of the 20th century. The new chapel, blessed in 1935 by Bishop Amédée Maisonobe, is distinguished by its modern design, generous lighting and a unified decoration signed by Jean Coquet (painter-decorator), Joseph Belloni (sculptor) and Amédée Cateland (goldsmith).

The building is part of a hospitable building founded in 1826 by the Sisters of Saint Joseph, where the buildings, organized around a central park, separate patients according to their degree of autonomy. The chapel, designed between two existing pavilions, incorporates a historic porch and radiant chapels dedicated to the sick, initially closed by gates (walled in the 1960s). Its bold architecture, hailed by the press of the time for its "clearness and simplicity", marks a break with traditional Romanesque or Gothic styles. The carillon, blessed in 1934 by Bishop Virgile Béguin, and the solemn consecration in 1935 underline its symbolic importance.

Ranked a historical monument in 2013 and labeled Heritage of the 20th century in 2012, the chapel remains open to worship despite the transformation of the site into public services by the General Council of Ain (repurchased in 2001). His choir, divided into two spaces (one for the nuns, the other for the sick), reflects his original vocation: to combine spirituality and care. Subsequent modifications, such as the removal of grids or the reassignment of chapels to offices, testify to its adaptation to contemporary uses, while preserving its artistic and historical heritage.

The site of La Madeleine, whose spatial organization was frozen around 1879, also includes a "Château" (pensionnat Sainte-Marie) and medical buildings located on the outskirts of the park. The latter, once cultivated by patients, illustrates the therapeutic philosophy of the time, combining manual work and isolation. The chapel, led by nuns and doctors such as Dr.Antoine Peloux, embodies the evolution of psychiatric practices in the 19th century, while the chapel, with its architecture and decoration, symbolizes the modernization of places of worship in the 20th century.

External links