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Chapelle Sainte-Thérèse of Capbreton Beach dans les Landes

Landes

Chapelle Sainte-Thérèse of Capbreton Beach

    6 Rue de la Chapelle
    40130 Capbreton

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1907
Construction of the Castle of Arbrun
1921
Episcopal authorization
1925
Repurchase by Abbé Gabarra
1947
Feast of the Sea
1952
Installation of the bell
Aujourd'hui
Aujourd'hui

Key figures

Raymond de Laborde - Writer and original owner Sponsor of the Castle of Arbrun in 1907.
Abbé Élie Gabarra - Acquirer and renovator Buy the chapel in 1925.
Marcel-Louis Dillais - Painter of the fresco Author of the maritime fresco (1947).
Mgr Clément Mathieu - Bishop of Aire and Dax Bless the bell in 1952.
Curé Louis Puzo - Chanoine and sponsor Re-roofing in 1947.

Origin and history

The chapel of Sainte-Thérèse, originally private chapel of the Château d'Arbrun villa built in 1907 for the writer Raymond de Laborde, became in 1921 a dependency of the Institut d'Aquitaine of Bordeaux. The bishop of Aire and Dax authorizes its construction to serve the remote area of the beach, on condition of reserving its use to the residents of the villa. Abbé Élie Gabarra acquired it in 1925 for 50,000 francs, completing the work (sacristy, altar, crepi) with the help of local donors such as Mr. Baylocq de Pau or Bishop de Cormont.

In 1933-34, the building was covered and crept, then enriched in 1947 by a fresco by Marcel-Louis Dillais celebrating the first Fête de la Mer, representing local personalities (Mayor Élie Despouys, fishermen Lacoste, parish priest Puzo). The chapel was then embellished with a panelling (1950), a marble altar (1951), a second maritime fresco (1952) and a bell blessed by Bishop Mathieu, from the Fourcade foundry. Its stained glass windows, signed Mauméjean, and its star Stella Maris engraved on the threshold underline its link with the sea and the fishermen.

A symbol of the Irish religious and maritime heritage, the chapel illustrates the evolution of a private place in community space, marked by donations and works of art celebrating local life. Its history also reflects the importance of Catholicism in the region, between nascent seaside traditions and port activities. The frescoes, by immortalizing local figures (Bishop Mathieu, trawler Porte-du-Large), anchor the monument in the social history of Capbreton in the 20th century.

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