Foundation of the Priory-Cure 1580 (≈ 1580)
Link to an abbey, place of pilgrimage.
XVIe siècle
Construction of the bell tower
Construction of the bell tower XVIe siècle (≈ 1650)
Only vestige after the Wars of Religion.
1789-1799
Destruction of the arrow
Destruction of the arrow 1789-1799 (≈ 1794)
During the French Revolution.
27 septembre 1948
Registration of the bell tower
Registration of the bell tower 27 septembre 1948 (≈ 1948)
Protection for historical monuments.
23 juin 1950
Registration façades and blankets
Registration façades and blankets 23 juin 1950 (≈ 1950)
Extension of heritage protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Clocher: registration by order of 27 September 1948; Facades and blankets: registration by order of 23 June 1950
Origin and history
The church of Notre-Dame-des-Misères de Mirabel, located in Tarn-et-Garonne in Occitanie, was initially a priory-cured dependent on an abbey in 1580. This place of pilgrimage attracted faithful from nearby regions, who came to fulfill their vows. The original chapel, destroyed during the Wars of Religion, left only its stone tower, characteristic of the Toulouse architectural school. This bell tower, with a square base and topped by two octagonal floors pierced with geminous bays, is a rare vestige of the sixteenth century, although its arrow disappeared during the Revolution.
The reconstruction of the church took place in the seventeenth century, after the ravages of religious conflicts. The bell tower, the only element protected by a 1948 registration order, bears witness to this turbulent history. The facades and blankets were inscribed in 1950. Today, the building belongs to the municipality of Mirabel and maintains a precise location, noted as "very satisfactory" in the heritage bases.
The monument illustrates both the late medieval piety, with its role as a pilgrimage, and the upheavals of the Wars of Religion that marked the southwest of France. Its bell tower, a remarkable example of Toulouse art, makes it a distinctive architectural heritage, despite the loss of its original arrow. The reconstruction of the 17th century reflected a desire for restoration after the destruction, in a context where churches were gradually regaining their central place in rural communities.
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