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Church of Our Lady of Hope en Gironde

Gironde

Church of Our Lady of Hope

    224 Le Courros
    33420 Espiet

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1700
1800
1900
2000
XIe ou XIIe siècle
Initial construction
XVIIe siècle
Major reconstruction
XIXe siècle
Restoration
1888
Sale of the statue
7 mars 2012
Registration MH
Aujourd'hui
Aujourd'hui

Heritage classified

Registered MH

Key figures

Monsieur Yrissou - Ferrailleur bordais Buyer of the statue in 1888.
Anne de Bretagne - Inspiring historical figure Dress style reflected by the statue.

Origin and history

The Church of Notre-Dame d'Espiet, located in the Gironde department in New Aquitaine, has its origins between the 11th and 12th centuries, although its present structure is mainly the result of a nearly total reconstruction in the 17th century, followed by restorations in the 19th century. This Catholic monument, inscribed in historical monuments since 2012, is distinguished by its western bell tower-wall, its eastern flat bedside, and a unique nave. The Romanesque portal of the south elevation, preceded by a rectangular porch, is the only sculpted vestige of the Romanesque period, with capitals illustrating moralizing or symbolic scenes like observant fawns or a Virgin with the Child.

Inside, the church houses 17th-century liturgical furniture, including altar, altar and benign altars, showing its continued use as a place of worship. Among the remarkable elements was once a stone statue of the Virgin and Child (late 15th century), sold in 1888 to a Bordeaux scrapman before joining the collections of the Museum of Aquitaine. This work, with its popular features and late style, reflected the artistic influences of Anne of Brittany's era, notably by the square neckline of the Virgin's dress, then in fashion.

The southern gate, adorned with four capitals with dadigeons, offers a rich iconography: two men in conflict (a scene of moral temptation), fawns sucking their tail (an allegory of a vice), the Virgin with a veiled Child, and a bird pinging a vertical plant, perhaps evoking the Tree of Life. These sculptures, although partially eroded, illustrate the recurring themes of girondin Romanesque art, mixing moral warnings and religious symbols. A stone cross, still visible at the southeast corner of the cemetery, completes this heritage complex.

The building, typical of small rural churches, embodies the architectural and liturgical changes that occurred between the Middle Ages and the modern era. Its recent inscription (2012) highlights the historical value of its Romanesque and Baroque elements, as well as their role in local memory. External resources, such as the Merimée base or the observatories of religious heritage, document its evolution and preservation.

External links