Foundation start entre 950 et 975 (≈ 975)
Masonry in *opus spicatum* certified.
XIIe siècle
Construction nave and bell tower
Construction nave and bell tower XIIe siècle (≈ 1250)
Cistercian style and cradle vaults.
1506
Carpent of carved choir
Carpent of carved choir 1506 (≈ 1506)
Engraved inscription on the base.
1793
Choir transformed into a prison
Choir transformed into a prison 1793 (≈ 1793)
During the French Revolution.
2001
Registration for Historic Monuments
Registration for Historic Monuments 2001 (≈ 2001)
Protection of the entire building.
2020
Closing and launching restoration
Closing and launching restoration 2020 (≈ 2020)
Damage to the roof and you'll see.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Cd. C 93): inscription by decree of 15 January 2001
Key figures
Anastasia Chevallier Wawrzyniak - History of architecture
Study on the opus spicatum* and dating.
Thierry de Campulley - Local historical figure
Obituary marble engraved with its weapons.
Origin and history
The church Notre-Dame de Ménerval, located in the Seine-Maritime department in Normandy, finds its origins in the 10th century, as evidenced by the foundations in opus spicatum (rare masonry in rural areas) discovered in the cross tower and the south arm of the transept. Located in the neighbouring Abbey of Saint-Germer-de-Fly, its construction spans mainly the 12th century (nef and bell tower) and 16th century (choir), in a clean Cistercian style, marked by broken cradle vaults and decorative austerity. The building, dedicated to the Virgin Mary, is distinguished by its stripping of stone, inherited from the clunisian influence of the eleventh century.
The nave, one of the oldest elements, and the structure of the choir dated 1506 (educated with an inscription: "the M. V cent fust delivered this present work") constitute the jewels of the church. This wooden design, entirely carved with grimaçant motifs (blocks), animals and shields, contrasts with the sobriety of the walls. The choir, covered with a slate roof, also houses a 17th century baroque altarpiece, a statue of the Virgin with the Child made of polychrome wood, and an eagle-lutrin, testimonies of its rich furniture heritage.
Classified as an additional inventory of historical monuments since 2001, the church has had various uses: prison for suspects under the Revolution (1793), then place of worship until its closure in 2020 for reasons of security, after damage caused by weather on the roof. A public subscription was launched that same year to finance its restoration, including the nave youure, originally in wooden arches, today plastered. Its Latin cross plan, polygonal bedside and slate arrow make it one of the largest churches in the country of Bray.
The architectural study by Anastasia Chevallier Wawrzyniak highlights the rarity of the opus spicatum in this rural context, confirming an initiation of work between 950 and 975. This mixture of Romanesque and Gothic techniques, combined with later Baroque elements, illustrates the stylistic evolution of the building over more than six centuries, while preserving its structural unity. Owned by the commune, it remains a symbol of Norman religious heritage, despite contemporary conservation challenges.
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