Initial construction 4e quart XIIe siècle (≈ 1287)
Building of the Romanesque church with a single nave.
début XIIIe siècle
Choir vaults
Choir vaults début XIIIe siècle (≈ 1304)
Profile of warhead crossovers dated.
XVe siècle
Wall brakes
Wall brakes XVe siècle (≈ 1550)
Scenes with characters painted on the walls.
XVIIe siècle
Wooden portal
Wooden portal XVIIe siècle (≈ 1750)
Sculpture and flooring added.
5 mai 1950
Registration MH
Registration MH 5 mai 1950 (≈ 1950)
Protection under Historic Monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 5 May 1950
Key figures
Information non disponible - No character cited
The source text does not mention any historical actors.
Origin and history
The Saint-Jean-Baptiste church of Chevry-sous-le-Bignon, listed as a Historic Monument, was built in the 4th quarter of the 12th century. It adopts a single-nave simple plan, extended by a circular apse, and incorporates an exterior porch. Although deeply restored over the centuries, it preserves original architectural elements, such as the vaults on dogive crosses of the choir and the lower side, whose profiles evoke the beginning of the thirteenth century. The arcades linking these spaces rest on leafed capitals or square piles decorated with typical mouldings of the late twelfth century.
The walls of the nave house traces of 15th century frescoes, depicting scenes with characters whose costumes reflect this era. A peculiarity lies in the span preceding the choir, covered with a wooden floor of the seventeenth century. This floor is supported by a sculpted porch, decorated with cabinet panels framing wooden statuettes. These late additions bear witness to the stylistic and liturgical changes suffered by the building.
The church was included in the inventory of Historic Monuments by order of 5 May 1950, recognizing its heritage value. Owned by the commune, it illustrates the rural religious architecture of the region, mixing Romanesque heritage and later transformations. Its present state is the result of both its medieval construction and subsequent restoration campaigns, the precise details of which remain partially documented.
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