First written entry 1643 (≈ 1643)
Romanesque church quoted for the first time.
1654
Pastoral visit
Pastoral visit 1654 (≈ 1654)
An apparent carpent reported in a report.
1832
Destruction of the Romanesque Church
Destruction of the Romanesque Church 1832 (≈ 1832)
Demolished for enlargement after overpopulation.
1843
Completion of the west façade
Completion of the west façade 1843 (≈ 1843)
Fronton and main entrance finalized.
1963
Inland catering
Inland catering 1963 (≈ 1963)
First indoor work campaign.
1986
External catering
External catering 1986 (≈ 1986)
Work on external structure.
1994
Second interior restoration
Second interior restoration 1994 (≈ 1994)
New work on interior decor.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Information non disponible - No character cited
The source text does not mention any specific historical actors related to this monument.
Origin and history
The church of Sainte-Madeleine de Villeneuve, located in the department of Ain, replaces a first church of supposed Romanesque origin, mentioned for the first time in 1643. In 1654, a pastoral visit revealed an apparent structure, similar to that of the chapel of Chanteins. After the French Revolution, the neighbouring parishes of Chanteins and Agnerins were dissolved, causing an overpopulation of the church, which was destroyed in 1832 to be rebuilt with partially recovered materials.
The second church, built around a unique nave with forerunners and vaulted apses, incorporates two chapels dedicated to the Virgin and Saint Madeleine. Its west façade and pediment were completed in 1843. External and internal restorations took place in 1986, 1963 and 1994 respectively. The building houses a variety of furniture, including an 18th-century wooden Christ from Chanteins, wooden and plaster statues, and 19th-century stained glass windows.
The church illustrates the architectural and liturgical evolution of rural religious buildings in Ain, marked by post-revolutionary upheavals and the growing needs of local parishes. Its furniture and stained glass windows bear witness to the devotional practices of the 19th and 20th centuries, while preserving older elements such as the wooden Christ, the heritage of the chapel that had disappeared from Chanteins.
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