Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Saint Genulf Church of Thureil au Thoureil en Maine-et-Loire

Patrimoine classé
Patrimoine religieux
Art gothique primitif
Maine-et-Loire

Saint Genulf Church of Thureil

    3-5 Rue du Mail
    49350 Le Thoureil
Église Saint-Genulf du Thoureil
Église Saint-Genulf du Thoureil

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1900
2000
XIe et XIIe siècles
Initial construction
22 juin 1905
Ranking of the bell tower
24 décembre 1913
Classification of the apse
30 novembre 2019
Opening of stained glass windows
Aujourd'hui
Aujourd'hui

Key figures

Tahar Ben Jelloun - Writer and artist Author of the stained glass windows inaugurated in 2019.
Philippe Brissy - Master glassmaker Director of contemporary stained glass.
Jérôme Clément - Ex-President of Arte and elected local Initiator of the stained glass project.
Saint Genulfe (ou saint Genou) - Original patron saint Original dedication of the church.
Saint Charles - Holy secondary patron Later dedication of the building.

Origin and history

Saint-Genulf Church, also known as Saint-Charles Church, is a religious building located in Thureil, Maine-et-Loire department. Originally dedicated to Saint Genulfe (or Saint Genou), it was later placed under the name of Saint Charles. Its origins date back to the 11th and 12th centuries, as evidenced by its oldest architectural elements, including the bell tower and apse, protected by successive rankings in 1905 and 1913.

In 2019, the church underwent a major artistic renovation with the installation of eight stained glass windows designed by writer Tahar Ben Jelloun and made by master glassmaker Philippe Brissy. These modern creations, inaugurated on November 30, 2019, replace the old 19th century stained glass windows. Tahar Ben Jelloun, an artist of Muslim culture, stressed the symbolic dimension of this project, stressing the complementarity of the religions of the Book in a context marked by interreligious tensions.

The project was led by three figures: Tahar Ben Jelloun, Philippe Brissy, and Jérôme Clément, former President of Arte and member of the Thureil City Council. The latter played a key role in soliciting the writer, highlighting the desire to create a dialogue between cultures and epochs through this historic edifice. The church, owned by the commune, remains a place of worship and heritage, illustrating the fusion between medieval heritage and contemporary creation.

The protections of the building specifically concern the bell tower (classified in 1905) and the former apse (classified in 1931). These elements, characteristic of the 11th and 12th centuries, testify to the architectural and historical importance of the monument in the Pays de la Loire region. The exact address of the church, according to the available data, is associated with the municipality of Thoureil, although some sources mention an approximate location in Gennes-Val-de-Loire, possibly reflecting territorial or administrative adjustments.

External links