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Saint Peter's Church of Meigné à Meigné en Maine-et-Loire

Patrimoine classé
Patrimoine religieux
Eglise
Maine-et-Loire

Saint Peter's Church of Meigné

    1 Rue Principale
    49700 Doué-en-Anjou

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
2e moitié du XIe siècle
Construction of the nave
1ère moitié XIIe siècle
Choir and span under bell tower
XIIIe siècle
Construction of the bell tower
2e moitié XVIe siècle
Stone arrow
1722
Monumental decoration of the choir
1856
West side
1874
Reshaping the nave
3 mai 1974
Registration for Historic Monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Church, excluding the facade and part of the nave added to the 19th century (C 1079): inscription by decree of 3 May 1974

Key figures

René Leroi - Artist decorator Author of the Baroque decor (1722).
Charles Joly-Leterme - Architect Manufacturer of the façade (1856).
E. Roffay - Architect Responsible for the work of 1874.

Origin and history

The church of Saint-Pierre de Meigné, located in the commune of Doué-en-Anjou (formerly Meigné) in Maine-et-Loire, is a religious building dating back to the 11th century. Its nave, built in the second half of this century, bears witness to the early phases of Romanesque architecture in the region. The choir and span under bell tower, added at the beginning of the 12th century, reinforce this style, while the bell tower, erected in the 13th century, marks a transition to Gothic. The stone arrow, dated from the second half of the 16th century, illustrates an evolution towards more elaborate techniques.

The west facade, built in 1856 by architect Charles Joly-Leterme, and the nave reshuffles in 1874 by E. Roffay reflect the interventions of the nineteenth century, when many religious buildings were restored or modified to adapt to the liturgical or aesthetic needs of the era. The monumental decoration of the choir, dated 1722 and attributed to René Leroi, is a remarkable example of the baroque art of angelvin. The church, partially protected since 1974 (excluding the parts of the 19th century), belongs to the commune and remains a testimony of the different architectural periods that marked Anjou.

The inscription of the historic monuments in 1974 underscores the heritage value of the building, thus preserving key elements of its history, from its medieval foundations to its classical embellishments and modern restorations. The location of the church, in the heart of a territory marked by the extraction of stone (like the tufteau), could explain the use of local materials in its construction, although this hypothesis is not explicitly documented in available sources.

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