Gift to Bonneval Abbey 1091 (≈ 1091)
Hugues de Châteauneuf ceds the church.
XIVe siècle
Reconstruction of bedside
Reconstruction of bedside XIVe siècle (≈ 1450)
Chapel built by the monks.
XVIe siècle
Redesign of the transept
Redesign of the transept XVIe siècle (≈ 1650)
Work and stained glass added.
1701
Destruction of the bell tower
Destruction of the bell tower 1701 (≈ 1701)
Lightning, then reconstruction identical.
1932
Registration MH
Registration MH 1932 (≈ 1932)
Building protection.
2021
Total classification
Total classification 2021 (≈ 2021)
Full protection of the church.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
In total, the church Saint-Pierre Saint-Paul, located on parcels n°250, appearing in the cadastre section D, as delimited in red on the plan annexed to the decree: classification by order of 12 February 2021
Key figures
Hugues de Châteauneuf - Donor
Cedes the church in 1091.
Origin and history
The church of St Peter of Thimert, located in Thimert-Gâtelles in Eure-et-Loir, has its origins in the 11th century, although its oldest still visible parts date mainly from the 12th century. The nave, separated from the lower side by broken arcs supported by square piles, bears witness to this period. Two 16th-century windows, partially destroyed in 1940 and restored in 1959, as well as a 17th-century wooden statue representing perhaps Saint Paul, are classified as historical monuments as objects.
The history of the church is marked by its donation in 1091 by Hugues de Châteauneuf to the Abbey of Saint-Florentin of Bonneval, which establishes a priory there. Several changes took place in the 12th, 14th and 16th centuries: the bedside was demolished and replaced by a chapel in the 14th century, while the transept was rebuilt in the 16th century. The bell tower, destroyed by lightning in 1701, was rebuilt identically. In 2023, an archaeological study including drone scanning was conducted by the departmental council.
The church, listed as a historical monument since 1932 and fully classified in 2021, retains various architectural elements, reflecting its evolution throughout the centuries. The glass windows of the 16th century, though fragmentary, illustrate Renaissance art, while the successive transformations reveal the adaptations of the building to liturgical and community needs. His parish cemetery, recently studied, also offers clues about his central role in local life since the Middle Ages.
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