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Saint-Roch Church of Peyruis dans les Alpes-de-Haute-Provence

Alpes-de-Haute-Provence

Saint-Roch Church of Peyruis

    30 Rue des Barricades
    04310 Peyruis

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIe siècle
First construction
Début XIIe siècle
Major reconstruction
Vers 1500
Gothic choir
XVIe ou XVIIe siècle
Ancient stained glass
XIXe siècle
Glass of the choir
Aujourd'hui
Aujourd'hui

Key figures

Raymond Collier - Local historian Expressed doubts about the authenticity of the stained glass windows.
Saint Roch - Holy patron Represented in a window of beef eye.
Saint Nicolas - Holy patron Dedicated church, 19th century stained glass.

Origin and history

The church of Saint-Nicolas de Peyruis, located in the Alpes-de-Haute-Provence, has its origins in the 11th century, of which only the north side remains today. It was rebuilt at the beginning of the 12th century, with a nave of three spans and a vaulted south side. These transformations mark its medieval architectural evolution, typical of Provencal Romanesque churches of the time.

Around 1500, the choir was rebuilt in a Gothic style, with a four-paned vault and five ribs. The church as a whole is decorated with murals (false apparatus, vegetal and geometric motifs), while its stained glass windows, among the oldest in the department, date from the sixteenth or seventeenth centuries. Those of the choir, such as the Immaculate Conception or the representations of Saint Roch and Saint Nicholas, were added in the 19th century.

The building is distinguished by its ubiquitous painted décor and its historic stained glass windows, including the Agnus Dei from the north side and the western egg-eye representing Saint Roch. These elements, combined with its hybrid architecture (Roman and Gothic), make it a rare testimony of Provençal religious heritage, despite doubts expressed by some historians such as Raymond Collier about the authenticity of certain stained glass windows.

Although the source text initially mentions the church of Saint-Roch in the title, the architectural and historical details explicitly concern the church of Saint-Nicolas. This confusion could arise from an error of denomination or a fusion of sources, but architectural and artistic descriptions clearly relate to Saint Nicholas, dedicated to Saints Roch and Nicholas, as his stained glass windows attest.

External links