Construction of the bell tower XIVe ou XVe siècle (≈ 1550)
The only vestige of the original Romanesque church.
vers 1740
Reconstruction of the church body
Reconstruction of the church body vers 1740 (≈ 1740)
Simple style replacing the medieval building.
1770
Creation of the chair and baptismal fonts
Creation of the chair and baptismal fonts 1770 (≈ 1770)
Works by Auguste Fauconnet in cut oak.
29 juin 1978
Historical monument classification
Historical monument classification 29 juin 1978 (≈ 1978)
Full protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Cad. AB 136): registration by order of 29 June 1978
Key figures
Auguste Fauconnet - Local sculptor
Author of the pulpit and baptismal fonts (1770).
Origin and history
The church Saint-Antoine de Lizine, located in the Doubs department in Burgundy-Franche-Comté, presents an architecture combining two distinct periods. Its bell tower, the only vestige of a first Romanesque church built in the 14th or 15th century, contrasts with the body of the building, rebuilt around 1740 in a more sober style. This square bell tower, pierced with murderers and adorned with gemini windows on the top floor, illustrates the defensive heritage of the medieval churches of the region.
Classified as historical monuments since 29 June 1978, the church houses remarkable furniture, mainly from the 18th century. Several elements, such as the pulpit to preach and the carved oak baptismal fonts (1770), are the work of local sculptor Auguste Fauconnet. These rooms, with "flamboyant" details, oppose the building's external austerity. Other objects, such as a 16th-century Virgin with a Child or a 17th-century carved panel, bear witness to the wealth of heritage accumulated over the centuries.
Linked to the parish of Plateau d'Amancey (Diocese of Besançon), the church of Saint Antoine embodies both an active place of worship and a preserved artistic heritage. Its Latin cross plan, typical of the religious buildings of the modern period, and its 18th century gilded altarpieces – classified or listed as historical monuments – underline its importance in the religious and architectural history of Franche-Comté. The successive protections (as early as 1908 for certain elements) reflect the desire to safeguard this testimony of local know-how.
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