First Romanesque mention XIIIe siècle (≈ 1350)
Our Lady of Artigues Church cited as a parish.
1541
Adding the reborn portal
Adding the reborn portal 1541 (≈ 1541)
South Italian portal and side chapels.
Début XVIe siècle
Gothic reconstruction
Gothic reconstruction Début XVIe siècle (≈ 1604)
Nef and choir rebuilt by Jean Marre.
1846
Restoration of vaults
Restoration of vaults 1846 (≈ 1846)
Works under Bishop Levezou de Vesins.
1901
Completion of the bell tower
Completion of the bell tower 1901 (≈ 1901)
Arrow and top part added.
1994
Historical Monument
Historical Monument 1994 (≈ 1994)
Registration by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Cd. L 470) and its adjoining sacristy (Cd. L 469): inscription by decree of 27 June 1994
Key figures
Jean Marre - Bishop of Condom
Sponsor of reconstruction (early 16th).
Jean Aimé Levezou de Vesins - Bishop of Agen
Supervises the restorations of 1846.
Origin and history
The church of Saint-Clair d'Artigues, located in Moncrabeau, has its origins in the 13th century in the form of a Romanesque building dedicated to Notre-Dame d'Artigues. The major reconstruction took place at the beginning of the 16th century under the impulse of Jean Marre, bishop of Condom, who erected a Gothic nave with foothills and dogive vaults, embellished with sculptures announcing the Renaissance. The capitals of the choir, already marked by this new style, contrast with the medieval structure.
In 1541, the church is equipped with an emblematic southern portal, reflecting the Italianizing influence in the Neracese: caissoned pilasters, diamond, Corinthian capitals and shell niches adorn this entrance. The square bell tower, partially hors-oeuvre, is surmounted by an arrow in 1901, while the side chapels, added during a second campaign in 1541 (date engraved on the gate), complete the initial plan. The northern sacristy, made of stone and wood, also dates from the sixteenth century.
In the 19th century, modifications took place: a south gallery was added in the first half of the century, then the vault, the cover and the outside cornice were redone in 1846 under the episcopate of Jean Aimé Levezou de Vesins, whose coats of arms are shown in the keystone alongside those of the local families. The church, a communal property, was listed as a Historic Monument in 1994 for its hybrid architecture and furniture.
The building thus illustrates the transition between Gothic and Renaissance in Aquitaine, with early Romanesque elements (XII century), late Gothic reconstruction (early 16th), and reborn additions (1541). Its history also reflects the evolution of techniques and tastes, from medieval ogival vaults to the Italianizing decorations of the modern period.
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