Construction of Romanesque parts XIIe siècle (≈ 1250)
Nef and original models preserved.
Fin XIIIe - Début XIVe siècle
West Gate Renovation
West Gate Renovation Fin XIIIe - Début XIVe siècle (≈ 1425)
Elaborated gothic moulding added.
1458 et suivantes
Flamboyant Gothic enlargements
Flamboyant Gothic enlargements 1458 et suivantes (≈ 1458)
North collateral and seigneurial chapel.
1470
Link with Jean de Pontville
Link with Jean de Pontville 1470 (≈ 1470)
Possible sponsor of the southern chapel.
1994
Discovery of painted decorations
Discovery of painted decorations 1994 (≈ 1994)
Religious scenes and secular motives.
8 janvier 1996
Historical monument classification
Historical monument classification 8 janvier 1996 (≈ 1996)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (cad. A 646): Order of 8 January 1996
Key figures
Jean de Pontville - Vicomte de Rochechouart and familiar with Louis XI
Possible sponsor of the southern chapel.
Origin and history
Église Saint-Saturnin de Chaillac-sur-Vienne, located in the Haute-Vienne department of New Aquitaine, is a building whose oldest parts date back to the 12th century. It presents a mixture of Romanesque and Gothic styles, with a vaulted nave in a full-cintra cradle and typical outdoor modillons of the Romanesque era. Its western portal, adorned with an elaborate moulding, probably dates from the late 13th or early 14th century, marking a first phase of redesign.
In the 15th century, the church experienced two major expansion campaigns: the addition of a three-span northern collateral and the vaulting of the choir, followed by the construction of a seigneurial chapel in the south, in flamboyant Gothic style. This chapel, perhaps sponsored by Jean de Pontville, familiar with Louis XI and Viscount de Rochechouart, houses vaults with ivy trees and a painted decor discovered in 1994, including religious scenes such as a Coronation of the Virgin and a Resurrection. These paintings, along with secular motifs (cornemuse, harp), testify to the artistic richness of the period.
Classified as a historical monument on January 8, 1996, the church illustrates the architectural and artistic evolution of the region, from Romanesque origins to late Gothic additions. The fillings of the bays and the veins of the vaults, characteristic of the flamboyant Gothic, as well as the traces of painted decorations, make this a precious testimony of the limousine religious heritage. The southern chapel, with its central pillars and complex vaults, highlights the importance of local sponsors, such as Jean de Pontville, in the beautification of cultural buildings in the late Middle Ages.
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