Factory Foundation 1875 (≈ 1875)
Creation linked to the exploitation of Caledonian nickel.
1966
Opening of the museum
Opening of the museum 1966 (≈ 1966)
Installation in the factory in Saint-Denis.
2002
Rehabilitation of the museum
Rehabilitation of the museum 2002 (≈ 2002)
Modernisation of exhibition spaces.
2007
Historical monument classification
Historical monument classification 2007 (≈ 2007)
Protection of facades and roofs.
2008
Closing of the museum
Closing of the museum 2008 (≈ 2008)
Sale of the site by Christofle.
2016
Purchase by a promoter
Purchase by a promoter 2016 (≈ 2016)
Start of the conversion project.
2018
Call for applications
Call for applications 2018 (≈ 2018)
Search for new uses.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The facades and roofs of buildings built between 1876 and 1880; facades and roofs of the director's house; the base of the land on the whole parcel (Box BK 14, see plan annexed to the decree): inscription by order of 3 May 2007
Key figures
Charles Christofle - Founder of Christofle House
Industrial goldsmith's initiator.
Henri Bouilhet - Associated with Christofle
Name linked to the gold museum.
Origin and history
The Christofle goldsmith's factory, located in Saint-Denis (Seine-Saint-Denis), was built in the fourth quarter of the 19th century to meet the growing demand for nickel, especially after the discovery of Caledonian minerals in 1875. Specializing in nickel metallurgy and the mechanical manufacture of cutlery, she established herself as an emblematic example of industrial architecture of the time, mixing bricks, metal frames and neo-gothic influences. Its location between the canal and the railway reflects its integration into the transport and production networks of the industrial revolution.
In 1966, the factory houses the Bouilhet-Christofle goldsmith's museum, founded to exhibit the historical collections of Christofle House, illustrating 150 years of goldsmith's creation. The museum, renovated in 2002, presents more than 2,000 pieces, highlighting techniques such as galvanoplasty or Art Nouveau's "natural prints". It closed definitively in 2008 after the sale of the site, marking the end of its museum use.
The building, classified as a historical monument in 2007 for its facades, roofs and plate of the land, then has transitional uses (art workshops, d'art fondeur). Repurchased by a promoter in 2016, it is the subject of a conversion project launched in 2018, aimed at restoring a contemporary vocation to this industrial heritage. Its history reflects the economic and urban changes of Saint-Denis, a former working-class city that has become a cultural pole on its way.
The museum's collections, which are now scattered, reflected the evolution of decorative arts and table traditions in the 19th and 20th centuries. The flagship pieces included agricultural trophies in galvanoplasty and Art Nouveau creations, highlighting Christofle's technical and aesthetic innovation. The factory thus embodies both an artisanal heritage and the challenges of preserving industrial heritage in urban areas.
The architecture of the site, with its brick buildings and metal structures, illustrates the functional and aesthetic principles of French industrialisation. Its partial classification (façades, roofs, director's house) protects an ensemble representative of the factories of the late nineteenth century, while its location in Seine-Saint-Denis makes it a marker of the working and metallurgical history of the Paris region.
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