Transition to Reform 1570 (≈ 1570)
The old parish adopts Protestantism.
1685
Start of simultaneous
Start of simultaneous 1685 (≈ 1685)
Probably sharing the church between Catholics and Protestants.
1715–1908
Period of the official simultaneous
Period of the official simultaneous 1715–1908 (≈ 1812)
Mixed church imposed by the authorities.
9 août 1908
Laying the first stone
Laying the first stone 9 août 1908 (≈ 1908)
Construction of the present church begins.
septembre 1999
Restoration of the organ
Restoration of the organ septembre 1999 (≈ 1999)
Resettlement by Gaston Kern after expertise.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Sébastien Krummeich - Refractory priest
Opposed to the Civil Constitution of the Clergy (1788–98).
Joseph Stiehr - Organ factor
Organ builder in 1860.
Gaston Kern - Organ factor
Restore organ in 1999.
Origin and history
The church of Saint-Jacques-le-Majeur, located in Gundershoffen in the north of Alsace, is a Roman Catholic building built in 1908. It succeeds a mixed church (simultaneum) shared between Catholics and Protestants since 1685, then officially from 1715 to 1908. The first stone of the current building was laid on August 9, 1908, a date engraved in the choir, marking the end of the cultural division imposed after the Reformation of 1570.
The neo-Roman architecture is characterized by a five-span nave, a steeple-porch in cut stone, and a vaulted cul-de-four choir preceded by a triumphal arch. The furniture includes baptismal fonts, a statue of the Immaculate Conception, and a large organ of 1860, restored in 1999 by Gaston Kern. This instrument, originally built by Joseph Stiehr, bears witness to the Alsatian musical heritage.
Local religious history was marked by tensions, especially during the French Revolution. Pastor Sébastien Krummeich (1788–98), hostile to the Civil Constitution of the clergy of 1790, embodied the resistance of the Alsatian clergy: only a quarter of them took an oath. This context reflects the divisions between refractory clergy and revolutionary authorities.
Today, the Church of St. James the Majeur symbolizes both the heritage of Alsatian simultaneum and the reconstruction of Catholic identity at the beginning of the twentieth century. Its organ, classified among the remarkable instruments, and its neo-Roman architecture make it an emblematic monument of the religious heritage of the Great East.
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