Construction begins 1739 (≈ 1739)
Launch of the work by Jean-Pierre Galezot.
1755–1760
Construction of the bell tower
Construction of the bell tower 1755–1760 (≈ 1758)
Directed by Hugues Faivre, doric-ionic style.
1761
Completion of building
Completion of building 1761 (≈ 1761)
End of work and inauguration.
2010
Historical monument classification
Historical monument classification 2010 (≈ 2010)
Full protection of the church.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box AN 210): by order of 22 December 2010
Key figures
Jean-Pierre Galezot - Architect
Designer of the nave and choir.
Hugues Faivre - Architect
Author of the bell tower between 1755 and 1760.
Charles-François Marca - Stucator
Director of the stucco high altar.
Origin and history
The Saint-Martin church of Scey-sur-Saône-et-Saint-Albin, built between 1739 and 1761, replaces a medieval building that has become too small and old. The works began under the direction of architect Jean-Pierre Galezot, who designed a three-nave, five-spaned hall church, vaulted in a cradle and border, supported by cruciform pillars decorated with Corinthian pilasters. The choir, finished with a polygonal apse, is flanked by six secondary chapels. This architectural party, typical of the eighteenth century, reflects the influence of the Enlightenment on religious constructions in Franche-Comté, combining functionality and classical aesthetics.
The bell tower-porch, added between 1755 and 1760 by architect Hugues Faivre, is distinguished by its gate in the middle of a wall surrounded by doric pilasters and surmounted by an oculus. Its decoration combines ionic and doric orders, with triglyphs and a belfry with an imperial roof decorated with an obelisk. Inside, an 18th-century wrought iron skeleton closes the main gate, while the furniture, including a stucco master altar made by Charles-François Marca, bears witness to the artistic fascist of the period. The building, classified as a historical monument in 2010, illustrates the evolution of religious architectural practices under the Old Regime.
The former church of Saint Martin was initially dependent on the parish of Saint-Albin. Its replacement is part of a context of urban and religious renewal in Upper Saône, marked by the will of local communities to assert their prosperity through monumental buildings. The construction of two campaigns (1739–161) revealed rigorous planning, financed by donations and local sponsors, some of which contributed to the rich interior decor. The church thus embodies both a place of worship and a symbol of the economic and cultural dynamism of the region in the Enlightenment century.
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