Inauguration 22 mars 1930 (≈ 1930)
Opening as cinema-theatre in Pointe-à-Pitre.
années 1970
Cinema specialization
Cinema specialization années 1970 (≈ 1970)
Abandon live shows for cinema.
2001
Final closure
Final closure 2001 (≈ 2001)
End of all film exploitation.
9 janvier 2009
Partial classification
Partial classification 9 janvier 2009 (≈ 2009)
Façade, roof and galleries listed in historical monuments.
25 janvier 2020
Destroyer fire
Destroyer fire 25 janvier 2020 (≈ 2020)
Major deterioration of the interior of the building.
mai 2021
Demolition decision
Demolition decision mai 2021 (≈ 2021)
Voted demolition with reconstruction of the facade.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The façades, roofs and metal galleries (case AL 275): inscription by decree of 9 January 2009
Key figures
Henri Gabriel - Professor of drawing
Has designed the Renaissance-style façade.
Origin and history
The cinema-theatre La Renaissance, located in the 5 place de la Victoire in Pointe-à-Pitre, Guadeloupe, was inaugurated on March 22, 1930. Originally dedicated to live shows and cinematographic screenings, he devoted himself exclusively to cinema from the 1970s before closing permanently in 2001. Its architecture, inspired by the Renaissance style with Art Nouveau influences, is distinguished by a concrete and iron facade, doric pilasters and wrought metal galleries, designed according to certain sources by Henri Gabriel, drawing teacher at the Lycée Carnot.
In 2009, the building's façade, roof and metal galleries were listed as historical monuments. Despite rehabilitation projects started in 2010 (for a total cost of €1.15 million between acquisition and studies), no lasting solution is found. A fire ravages inside the cinema on January 25, 2020, accelerating its degradation. The municipal council voted for its demolition in May 2021, while imposing the identical reconstruction of the façade, classified. The destruction began in January 2021, and in July 2022 nothing remains of the original building.
The building, built in the geometrizing current of mid-war cinemas, combined an iron frame and a concrete fill. Its side galleries, originally intended for emergency traffic and exits, were decorated with claustras and wrought iron gallows. These elements, typical of the adaptation of classical codes (symmetry, entably) to the modernism of the time, made it a remarkable example of the Guadeloupe architectural heritage. The facade, the only protected part, today symbolizes the memory of this major cultural place, integrated into an aborted urban renewal project.
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