Foundation of the Oratory VIIe siècle (≈ 750)
Construction by Rorice II on the tomb of Junien
Fin XIe - XIIe siècle
Romanesque construction
Romanesque construction Fin XIe - XIIe siècle (≈ 1295)
Nef, transept and built façade
XIIIe siècle
Square hair added
Square hair added XIIIe siècle (≈ 1350)
Completion of the austere choir
XVe siècle (4e quart)
Gothic changes
Gothic changes XVe siècle (4e quart) (≈ 1550)
Chapel of Saint-Martial and burial
1840
MH classification
MH classification 1840 (≈ 1840)
First list of historical monuments
1922
Falling of the bell tower
Falling of the bell tower 1922 (≈ 1922)
Reconstructed later
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: ranking by list of 1840
Key figures
Rorice II - Bishop of Limoges (VII s.)
Founded the original oratory on the tomb
Saint Junien - Hermit and patron saint
Venerable Tomb in the College
Étienne Maleu - Chanoine and columnist
Entered into the collegiate, chapter historian
Origin and history
The Saint-Junian collegiate found its roots in the 7th century, when Rorice II, bishop of Limoges, erected an oratory on the tomb of the Junian hermit. A college of canons was established there to perpetuate his worship. The present building, of limousine Romanesque style, was built at the end of the 11th century for the nave and transept, completed by a facade at the end of the 12th century and an austere square bedside in the 13th century. Its central bell tower, collapsed in 1922, has since been rebuilt.
The monument contains major artistic treasures: the tomb of Saint Junien (XII century) in limestone, an apocalyptic fresco of the nave depicting the twenty-four old men (XII century), and a grave-laying carved (15th century) in the chapel of Saint Martial. Ranked as one of the first French historical monuments in 1840, the collegiate church also housed the burial of the canon and columnist Stephen Maleu.
Its architecture thus combines Romanesque heritage – with elements such as murals, rare in Limousin – and late Gothic additions. The site, a communal property, remains a key testimony of medieval devotion in Upper Vienna, linked to the figure of Saint Junien, local patron. The reconstruction of the bell tower in the 20th century illustrates efforts to preserve this heritage, while stressing its vulnerability to time.
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