Initial Foundation 969 (≈ 969)
Church erected by Hugues I
1093
Reconstruction by Elijah I
Reconstruction by Elijah I 1093 (≈ 1093)
Flat hair and walls on enclosures
1134
Destroyer fire
Destroyer fire 1134 (≈ 1134)
Building ruined and restored
1175
Restoration by Henri II Plantagenet
Restoration by Henri II Plantagenet 1175 (≈ 1175)
Adding a span and turn
1267
Start of bedside construction
Start of bedside construction 1267 (≈ 1267)
Funded by Charles II of Anjou
1378
Choir consecration
Choir consecration 1378 (≈ 1378)
Completion after 60 years
1790
De-acralization
De-acralization 1790 (≈ 1790)
Transformed into arsenal
1812
Partial destruction
Partial destruction 1812 (≈ 1812)
Clocher and shaved nave
1889
Historical monument classification
Historical monument classification 1889 (≈ 1889)
Full protection
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Maison de l'école communale de dessinage : classification par liste de 1862 - Collegiate: ranking by list of 1889
Key figures
Hugues Ier - Count of Maine
Founded the college in 969
Élie Ier - Count of Maine
Reconstructed the church in 1093
Henri II Plantagenêt - King of England
Restaura la collégiale au XIIe
Charles II d’Anjou - Count of Anjou
Finished the monumental bedside
Philippe de Luxembourg - Donor
Offered the Chass of St. Scholastic
Origin and history
The collegiate Saint-Pierre-la-Court, located in Le Mans, was first a Comtal chapel attested from the early Middle Ages. Turned into a collegiate church by Hugues I, Count of Maine, it became the personal church of the Counts, adjacent to their palace. Rebuilt at the end of the 11th century by Elijah I, it housed the relics of Saint Scholastic, patron saint of the city, until the Revolution. Its history is marked by fires, like that of 1134 which partially destroyed the building, before its restoration by Henry II Plantagenet in the 12th century.
In the 13th century, Charles II of Anjou financa added a monumental two-level bedside, giving the college its present appearance. The building, desecrated in 1790, was transformed into an arsenal and then into a school, undergoing major changes: the destruction of the Romanesque bell tower and the nave in 1812, the addition of a floor in the choir, and the piercing of modern windows. Ranked a historic monument in 1889, its lower chapel, retaining 13th century vaults, has been home to an exhibition space since 1980, while the rest of the building hosts municipal services.
Built on the Gallo-Roman enclosure of Le Mans, the college held a strategic position near the Saint Martin Gate, a key defence point. His bedside, initially masked by constructions, was cleared in the 1970s. The building reflects the urban transformations of the Cité Plantagenet, including the expansion of Saint Peter's Square in the 19th century, which changed its immediate environment. The 19th century excavations revealed six 14th century tombs under its pillars, testifying to its funeral role.
The college was also a fortified passageway during the Hundred Years War, with defensive arrangements on three levels. In the 16th century, a roof in the pavilion covered its tower, while in the 17th century lizards threatened its bedside, resulting in repairs in 1682. After the Revolution, his furniture was dispersed or destroyed, and his spaces were rearranged for school or cultural purposes. Today, it embodies both a medieval religious heritage and a continuous adaptation to the needs of the city.
Its history is inseparable from that of the Counts of Maine, of which it was the Palatine chapel. The Plantagenets, then the Anjous, left their architectural footprint there, as evidenced by the successive modifications of the choir and chapels. The shawl of Saint Scholastic, offered in 1510 by Philip of Luxembourg, emphasized its spiritual importance. Despite the vicissitudes (transformation into barracks in 1716, partial destruction in the 19th century), its classification in 1889 preserved its oldest elements, such as the 13th century crypt.
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Future
The college now serves various cultural events. It is considered one of five municipal museums.
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