Construction of the cross XVe siècle (≈ 1550)
Period of creation of the granite monument.
1875
Moving the Cross
Moving the Cross 1875 (≈ 1875)
Transportation to its current location.
11 juin 1964
Historical monument classification
Historical monument classification 11 juin 1964 (≈ 1964)
Official registration by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Cross of the Sénéchal (A non cadastre ; public domain): registration by decree of 11 June 1964
Key figures
Le sénéchal - Medieval Justice Officer
Held sessions on this monument.
L'artiste anonyme - Sculptor of the cross
Signed in Breton Gothic characters.
Origin and history
The cross of the Sénéchal de Saint-Guen is an emblematic 15th century monument, located in the commune of Saint-Guen, Brittany. It was initially placed on the road from Uzel to Mûr-de-Bretagne before being moved in 1875 to its current location in the town hall square. This granite monument, of flamboyant architectural style, is distinguished by its cylindrical barrel surmounted by a capital and a crucifix with characters. The base, with a seat with armrests, served as a place where the senechal held his solemn sessions and proceeded with legal publications.
The cross presents detailed sculptures on its two sides: one represents the Child Jesus in the arms of the Virgin, while the other shows the Exhaling Christ surrounded by Saint John and the Virgin. At its base, the four Evangelists are figurative, and a signature in Gothic and Breton characters is engraved on the north face. This monument, inscribed in historical monuments since 11 June 1964, bears witness to the importance of the crosses of justice or senechal in the judicial and social organization of medieval Brittany.
The cross of the Sénéchal also illustrates the know-how of the artisans of the time, able to work precisely granite to create works both functional and symbolic. Its move in 1875 reflects urban developments and efforts to preserve local heritage. Today, it remains a strong symbol of the judicial and religious history of the region, while being a remarkable example of Breton flamboyant Gothic art.
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