Inauguration of line 1 and the column 1900 (≈ 1900)
Opening of the station and creation by Guimard.
13 août 1900
Opening of the Louvre station
Opening of the Louvre station 13 août 1900 (≈ 1900)
Start-up with train stop.
1968
Cultural decoration of docks
Cultural decoration of docks 1968 (≈ 1968)
André Malraux project for the Louvre.
1er mai 1991
Vandalism by taboos
Vandalism by taboos 1er mai 1991 (≈ 1991)
Mediated action for the Parisian graffiti.
26 novembre 2015
Re-opening after renovation
Re-opening after renovation 26 novembre 2015 (≈ 2015)
Modernisation and new cultural developments.
12 février 2016
Historical monument classification
Historical monument classification 12 février 2016 (≈ 2016)
Protection of the Guimard edicle.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Hector Guimard - Architect
Creator of the school in 1900.
André Malraux - Minister of Culture (1968)
Initiator of museum decoration.
Origin and history
The Guimard building of the Louvre-Rivoli station, located on Rue de l'Amiral-de-Coligny in Paris, was designed in 1900 by the architect Hector Guimard for the Compagnie du Métropolitain. This Art Nouveau model, characteristic of the entrances to the Paris metro, marks the visual identity of line 1, inaugurated in the same year. The church was inscribed in historical monuments by order of 12 February 2016, thus protecting one of Guimard's last remaining achievements for the network.
The Louvre-Rivoli station, opened on August 13, 1900, evolved with its cultural environment. Originally named Louvre, it was renamed in 1989 to reflect its proximity to Rue de Rivoli, commemorating the Napoleonic victory of 1797. Between 1968 and 2011, its wharfs housed reproductions of works from the Louvre Museum, transforming space into an antichamber museum under the impetus of André Malraux. These modifications were partially abolished during the modernization of 2015, although casts of ancient works are still exposed to them.
The column survived notable episodes, such as the 1991 vandalism by tagueurs claiming artistic recognition. Recent work (2009-2015) has adapted the station to the automation of line 1, with the installation of pallet doors and a scenographic renovation in partnership with the Louvre. Today, this access remains an architectural testimony of the Paris de la Belle Époque, while integrating contemporary security and accessibility requirements.
The station's traffic, although modest (about 2.6 million admissions in 2019), reflects its role in the Parisian tourist landscape. Its edicle, the only access adorned with Guimard still in place for this station, symbolizes the dialogue between industrial heritage and art, in the heart of a historical district between the Louvre Museum and the Seine.