Construction of Romanesque parts XIIe siècle (≈ 1250)
Walls, batteries and rectangular tower built.
XIIIe siècle
Addition of Gothic warheads
Addition of Gothic warheads XIIIe siècle (≈ 1350)
Remodelled vaults and doubles.
XVIe siècle
Defensive extension and remodeling
Defensive extension and remodeling XVIe siècle (≈ 1650)
Murder, brace and turret added.
27 septembre 1948
Registration for Historic Monuments
Registration for Historic Monuments 27 septembre 1948 (≈ 1948)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church, cemetery and fountain Saint-Pierre: inscription by decree of 27 September 1948
Key figures
Information non disponible - No characters cited in the sources
The texts do not mention any specific historical actors.
Origin and history
The church of Saint-Pierre de Chuffilly-Roche, located in the Ardennes, presents an architecture combining Romanesque and Gothic styles. The oldest parts, dated from the 12th century, include the two eastern spans of the north nave and a rectangular tower pierced with geminied bays. The Romanesque walls and piles contrast with the 13th century warheads, while the rest of the building, including the murderers and a steeple, dates back to the 16th century. A head carved in blue stone, probably a fragment of re-used baptismal fonts, adorns the western facade.
Inside, the four-piece high altar, decorated with red marble columns, and the side altar with black marble columns, bear witness to a rich artistic heritage. The tower, accessible by a staircase housed in a square turret, probably served as a refuge or watchtower. These defensive elements, combined with the presence of a fountain and a dedicated cemetery, underline the religious and strategic importance of the site throughout the centuries.
The building, owned by the commune, was registered as historic monuments by order of 27 September 1948. Its location in the Ardennes department, in the Greater East region, makes it a characteristic example of the fortified rural churches of this border area. Historical sources, such as the works of Hubert Collin or Octave Guelliot, document its architectural evolution and its role in the local religious landscape.
The exterior sculpture, integrated between two bellows, and the defensive details (murder, brace) suggest a reuse of materials and an adaptation to protection needs during troubled periods. The site, including the church, cemetery and Saint Peter's fountain, forms a coherent set reflecting the religious practices and security concerns of Ardennes rural communities between the Middle Ages and the modern era.
Announcements
Please log in to post a review