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Church of the Assumption of Sarriac-Bigorre dans les Hautes-Pyrénées

Patrimoine classé
Patrimoine religieux
Eglise de style classique
Hautes-Pyrénées

Church of the Assumption of Sarriac-Bigorre

    1-3 Place de l'Église
    65140 Sarriac-Bigorre
Église de lAssomption de Sarriac-Bigorre
Église de lAssomption de Sarriac-Bigorre
Église de lAssomption de Sarriac-Bigorre
Crédit photo : Florent Pécassou - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
XIVe–XVe siècles
Construction
XVIIe siècle
Add transept
XVIIIe siècle
Spot and surge
1952
Registration Historic Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Church, including retables: registration by decree of 9 July 1952

Origin and history

The Church of the Assumption of Sarriac-Bigorre, classified as a Historical Monument, finds its origins in a primitive nave with a flat bedside, built of Toulouse bricks alternating with mortar-burdened pebbles. This first building, of which only the east wall of the bedside remains today, reflected a sober architecture, reinforced by brick foothills. Building techniques, combining local materials and regional know-how, bear witness to a medieval period when rural churches played a central role in community life.

In the 17th century, the unique nave was enlarged by the addition of two arms of transept, transforming the plan of the building into a cruciform form. These extensions, made in an apparatus similar to that of the initial nave (bricks and pebbles), mark an architectural evolution designed to meet the liturgical and spatial needs of a growing population. The large arches in basket cove, linking the nave to the lateral chapels, illustrate this stylistic adaptation, typical of the southern churches of the period.

The 18th century saw the erection of a bell tower in the west, equipped with a classical gate, as well as the elevation of the bedside wall in sharp gable. These modifications, always made of bricks and pebbles, strengthened the aesthetic coherence of the ensemble. Inside, a curved wooden vault, characteristic of the religious buildings of the Pyrenees, covers the nave. The inscription of the church and its altarpieces in the inventory of Historic Monuments in 1952 underlines its heritage value, both for its architecture and for its furniture.

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