Foundation of the Cochet Chapel 1513 (≈ 1513)
Chapel founded by Jehan Maret, chestnut.
1679-1709
Reconstruction of the church
Reconstruction of the church 1679-1709 (≈ 1694)
Classic and Gothic style, after collapse.
1699
Falling of the bell tower
Falling of the bell tower 1699 (≈ 1699)
Reconstructed in 1703 with acute pyramid.
12 mars 2003
Historical Monument
Historical Monument 12 mars 2003 (≈ 2003)
Total protection of the building and furniture.
novembre 2025
Vandalism of statues
Vandalism of statues novembre 2025 (≈ 2025)
Destruction of Saint Teresa and Sacred Heart.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The whole church, including the choir's woodwork, the high altar and its altarpiece (Box AL 299): inscription by order of 12 March 2003
Key figures
Jehan Maret - Châtelain de Montcenis
Founded the Cochet Chapel in 1513.
Michel Bouillot - Contemporary Painter
Author of the Pilgrims of Emmaus (1968).
Origin and history
The church of the Assumption of Montcenis, located in the department of Saône-et-Loire in Burgundy-Franche-Comté, was rebuilt between 1680 and 1709 on the site of an earlier building of the fourteenth and fifteenth centuries. Its classical architecture, marked by the use of local brown and red sandstone, is organized in Latin cross, with a nave of three spans, a transept and a choir closed by a polygonal apse. The bell tower, rebuilt after its collapse in 1699, has a sharp pyramid and clock dials. The Cochet chapel, founded in 1513 by Jehan Maret, the chestnut of Montcenis, houses black marble baptismal fonts and polychrome statues from the 14th to the 18th century.
The church preserves remarkable furniture and works of art, including polychrome wooden statues (saint Sébastien, Virgin with the Child, Virgin of Mercy, etc.) and a modern painting, The Pilgrims of Emmaus (1968) by Michel Bouillot. Classified as a historic monument since 12 March 2003, it includes in its protection the choir woodwork, the high altar and its altarpiece. In November 2025, two statues (Saint Teresa of Lisieux and the Sacred Heart) were vandalized, triggering a judicial investigation.
The Gothic style dominates in the interior structure, with ivy vaults and thirdons falling on ground caps. The nave, preceded by a span supporting the bell tower, illustrates the transition between medieval and classical periods. The furniture, mostly from the eighteenth century, completes this heritage complex, reflecting the artistic and religious evolution of the region. The chapel of the Baptist fonts, dating from the 16th century, bears witness to the pious foundations of the local lords, such as the Cochet family.
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