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Church of the Nativity-de-la-Sainte-Vierge of Lierval dans l'Aisne

Patrimoine classé
Clocher en bâtière
Eglise
Eglise romane
Aisne

Church of the Nativity-de-la-Sainte-Vierge of Lierval

    Le Bourg
    02860 Lierval
Église de la Nativité-de-la-Sainte-Vierge de Lierval
Église de la Nativité-de-la-Sainte-Vierge de Lierval
Église de la Nativité-de-la-Sainte-Vierge de Lierval
Église de la Nativité-de-la-Sainte-Vierge de Lierval
Église de la Nativité-de-la-Sainte-Vierge de Lierval
Église de la Nativité-de-la-Sainte-Vierge de Lierval
Crédit photo : Dirkvde - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1900
2000
XIIe siècle
Initial construction
1914
Historical monument classification
vers 1938
Post-Great War Restoration
Aujourd'hui
Aujourd'hui

Heritage classified

Church: Order of 9 May 1914

Key figures

Louis Barillet - Master glass Author of stained glass (1938), Marian theme
Jean Trouvelot - Architect restorer Directed the work post-1918

Origin and history

The church of the Nativity-de-la-Sainte-Vierge of Lierval is a religious building built in the twelfth century, typical of the Romanesque architecture of the region. Nestled above the village, it is distinguished by its original baptismal fonts and carved capitals, witness to its medieval history. His stained glass windows, made by Louis Barillet after the First World War, revolve around the theme of the Virgin, mixing symbolism and geometric abstraction.

The church underwent major restoration work around 1938, led by architect Jean Findlot, following the damage caused by the First World War. The stained glass windows of the choir, like the Virgin with the Child or the medallions of the litany, contrast with the abstract compositions of the nave, inspired by the first stained glass windows of the De Stijl movement. These artistic elements, combined with its Romanesque structure, make it a hybrid monument between tradition and modernity.

Classified as historical monuments in 1914, the church illustrates the evolution of artistic and religious practices in the Hauts-de-France. Its location in the department of Aisne, a region marked by the conflicts of the twentieth century, reinforces its heritage importance as a symbol of resilience and cultural continuity.

External links