Erection in parish church 1174 (≈ 1174)
Chapel became church by episcopal agreement.
1er quart XVIe siècle
Construction of the current building
Construction of the current building 1er quart XVIe siècle (≈ 1625)
Church built on a rectangular plane.
1654
Creation of baptismal fonts
Creation of baptismal fonts 1654 (≈ 1654)
Work by Nicolas Herluisson.
6 juillet 1907
Historical monument classification
Historical monument classification 6 juillet 1907 (≈ 1907)
Official protection of the French State.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: by decree of 6 July 1907
Key figures
Abbé de Montiéramey - Initial collator
Head of the chapel before 1174.
Évêque de Troyes (1174) - Religious Authority
Sign the parish erection agreement.
Nicolas Herluisson - Sculptor of baptismal fonts
Author of the fonts dated 1654.
Origin and history
The church of the Nativity-de-la-Vierge des Noës-près-Troyes, built in the early 16th century, is distinguished by its rectangular plan with a protruding apse and a five-span nave supported by round pillars. It houses precious furniture, including 16th-century stalls, a 12th-century bronze cross (now preserved in the treasure of Troyes Cathedral) and baptismal fonts of 1654, carved by Nicolas Herluisson. These elements illustrate its artistic and religious importance throughout the centuries.
Originally, the parish of the Noës-près-Troyes had only one chapel dependent on Saint-Martin-es-Vigne, under the snack of the Abbé de Montiéramey. In 1174 an agreement between the bishop and the abbot raised this chapel to the rank of parish church, marking a turning point in its history. The building was officially listed as a historic monument in 1907, recognizing its outstanding heritage value.
Located in the Aube department, in the Greater East region, this church reflects the Christian architecture of the Renaissance while at the same time testifying to the religious and social evolution of the region. Its classification and the richness of its furniture make it an emblematic place of local heritage, attracting the attention of historians and visitors interested in sacred art and late medieval history.
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