Completion of the altarpiece of the Annunciation 1499 (≈ 1499)
Major work by Louis Bréa commissioned by Louis Lausi.
XVIIe siècle
Construction of church
Construction of church XVIIe siècle (≈ 1750)
Rustic Baroque style, bell tower.
26 avril 1989
Historical monument classification
Historical monument classification 26 avril 1989 (≈ 1989)
Additional inventory of historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box B 207): registration by order of 26 April 1989
Key figures
Louis Bréa - Nice painter
Author of the retable of the Annunciation (1499).
Louis Lausi - Prior of Lieuche (1497-1507)
Sponsor of the altarpiece, then priest in Nice.
Origin and history
The church of the Nativity-de-Notre-Dame, located in Lieuche in the Alpes-Maritimes, is a 17th-century religious building in rustic Baroque style. Until the 19th century, the village was a strategic passage on the roads linking Touët-sur-Var to Beuil and Saint-Sauveur-sur-Tinée to Puget-Théniers, before being isolated by the opening of the gorges of Cians.
The monument owes its fame to the altarpiece of the Annunciation, made in 1499 by the painter Nice Louis Bréa. Ordered by Prior Louis Lausi, this nine-compartment altarpiece has 27 characters, including a central Annunciation surrounded by saints and biblical scenes. Its exceptional state of conservation makes it a major work of primitive painting in Nice.
The altarpiece reveals precise historical details: Louis Lausi, Prior of Lieuche from 1497 to 1507, engraved his name and the date of completion (15 January 1499) on the work. After his priesthood, he became a priest in Nice. The altarpiece, combining medieval influences and Renaissance, also illustrates scenes such as the Crucifixion, Saint Sebastian or Saint Christophe.
Classified as an additional inventory of historical monuments since 26 April 1989, the church also preserves liturgical objects as a processional cross in brass and enamel. Its modest architecture contrasts with the artistic richness of the altarpiece, a witness to the religious and cultural importance of Lieuche at the end of the Middle Ages.
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