Crédit photo : Albertvillanovadelmoral - Sous licence Creative Commons
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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
…
1900
2000
1121
First written entry
First written entry 1121 (≈ 1121)
*Parochia Sancti Johannis de Cullis*.
XIIe siècle
Initial construction
Initial construction XIIe siècle (≈ 1250)
Single-nave and apse novel building.
XIVe siècle
Fortification
Fortification XIVe siècle (≈ 1450)
Add mâchicoulis and elevation.
21 décembre 1925
Registration MH
Registration MH 21 décembre 1925 (≈ 1925)
Protection for historical monuments.
1990
Film shooting
Film shooting 1990 (≈ 1990)
"La Belle Noiseuse" by Jacques Rivette.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 21 December 1925
Key figures
Jacques Rivette - Director
Shot in 1990 in the courtyard.
Origin and history
The church of the Nativity-de-Saint-Jean-Baptiste of Saint-Jean-de-Cuculles is a 12th-century Romanesque building built in the Hérault department in the Occitanie region. It was first mentioned in 1121 as Parochia Sancti Johannis de Cullis, then in 1267 and 1331 in historical documents. Its initial architecture, marked by a unique nave and a semicircular apse, reflects the Languedoc Romanesque style of the time.
During the Hundred Years' War, the church was fortified to serve as a refuge for the population: the bedside and side walls were raised, and mâchicoulis were added between the foothills. The bell tower, transformed into a dungeon, adopts a square shape with two campanary bays. These changes, dated from the 14th century, clearly distinguish the original Romanesque parts (size stone) from defensive additions (irregular seams).
The building was listed as a historic monument on December 21, 1925, recognizing its heritage value. In the 20th century, it also served as a cinematic setting: in 1990, Jacques Rivette shot the first scenes of La Belle Noiseuse. Today the church preserves traces of its modern chapels and stands, added after its medieval construction.
Its architecture thus combines religious function and defensive role, illustrating the adaptation of sacred buildings to the conflicts of the Middle Ages. The bolt holes visible on the facades recall the scaffolding used during the fortifications, while the modern campanile overlooks the span of the choir.
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