Presumed construction Fin Xe - Début XIe siècle (≈ 1125)
Lombar print on the outer apse
XIVe - XVIIe siècle
Seigneurial period
Seigneurial period XIVe - XVIIe siècle (≈ 1750)
Quintal under Puy-en-Velay domination
1796
Make the little bell
Make the little bell 1796 (≈ 1796)
First Paccard bell (350 kg)
1817
Make the big bell
Make the big bell 1817 (≈ 1817)
Bell of 550 kg per Paccard
XIXe siècle
Restoration of the bell tower
Restoration of the bell tower XIXe siècle (≈ 1865)
Upholstered, partially restored nave
1986
Historical monument classification
Historical monument classification 1986 (≈ 1986)
Official MH registration
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Registered MH
Key figures
Pitton et Paccard - Bell founders
Authors of the little bell (1796)
Antoine et Jean-Pierre Paccard - Bell founders
Authors of the big bell (1817)
Origin and history
The Church of the Visitation-de-Notre-Dame, located in Quintal in Haute-Savoie, is considered the oldest building in the department. A lumbar print visible on its outer apse suggests an origin dating back to the late 10th or early 11th century. This architectural detail makes it one of the oldest churches in the diocese of Annecy, bearing witness to a deep medieval history.
Between the fourteenth and seventeenth centuries, Quintal and its church were linked to the Puy-en-Velay seigneury, a period marked by external influences on the region. The building, which was listed as a historical monument in 1986, underwent major changes, especially in the 19th century, where its bell tower was restored and enhanced, while the walls of the nave, partly of origin, were consolidated.
The church is distinguished by its structure consisting of a square bell tower, a nave, a crusillon transept and a semicircular apse flanked by two apsidioles. It houses two remarkable bells: one fondue in 1796 by Pitton and Paccard (350 kg), the first bell of this dynasty of fondeurs, and the other, more imposing (550 kg), made in 1817 by Antoine and Jean-Pierre Paccard. These sound and architectural elements underline its heritage and cultural importance.
The presence of a Lombardy imprint, characteristic of primitive Romanesque art, reinforces the hypothesis of a high medieval foundation. This style, rare in Savoy, bears witness to cultural and religious exchanges between the Alpine regions and Northern Italy during this period. The church thus embodies a local and transalpine heritage, marked by centuries of religious and seigneurial history.
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