Pillow by the Count of Derby 1346 (≈ 1346)
First destruction by the English.
1356
Fire by the Black Prince
Fire by the Black Prince 1356 (≈ 1356)
Total destruction of the building.
1525
Reconstruction of the church
Reconstruction of the church 1525 (≈ 1525)
Date engraved on the eardrum.
1561
Fire by Protestants
Fire by Protestants 1561 (≈ 1561)
Start of a long restoration.
1681
Roof completion
Roof completion 1681 (≈ 1681)
Without vaults or walls.
1860-1862
Transept vaults and choir
Transept vaults and choir 1860-1862 (≈ 1861)
Addition of liernes and thirdons.
1866
Installation of stained glass windows
Installation of stained glass windows 1866 (≈ 1866)
Work of Joseph Villiet.
11 février 1930
Historical monument classification
Historical monument classification 11 février 1930 (≈ 1930)
Official protection of the building.
1932
End of restorations
End of restorations 1932 (≈ 1932)
Work initiated post-classification.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: Order of 11 February 1930
Key figures
Comte de Derby - English military chief
Daughter church in 1346.
Prince noir - English Commander
Destroyed the church in 1356.
Joseph Villiet - Master glass
Author of stained glass (1866).
Origin and history
The church of Saint-Martin-d'Anglars, located in Saint-Maurin in the Lot-et-Garonne, has had a turbulent history. The first parish church was looted in 1346 by the English troops of the Count of Derby, then destroyed in 1356 by those of the Black Prince. Rebuilt in 1525 as a memorial plaque, it was again burned in 1561 by Protestants, delaying its restoration until the 17th century. Roofwork was completed only in 1681, without vaults and panels.
In the 19th century, the church was looted during the Revolution, and the offices were transferred to the abbey in 1791. The vaults of the transept and choir, adorned with liernes and thirdons, date back to the 1860s-1862s, while the stained glass windows, by Joseph Villiet, were installed in 1866. Ranked a historic monument in 1930, its final restoration was completed in 1932. The building thus combines Gothic elements (15th century) and neo-Gothic additions.
Architecturally, the church consists of a unique three-span nave, a transept and a square bedside. The sculpted capitals, the sled windows and the vaults on dogive crosses testify to its design unit, rare in the region. The bell tower, flanked by a staircase turret, dominates the whole. Inside, the painting Adoration of the Magi (master altar), classified in 1906, and the stained glass windows of Villiet are among the major heritage elements.
Historical sources, such as the Pouillé of the Diocese of Agen (1789), underline its central role in local religious life. The successive restorations reflect the political and religious upheavals (the Hundred Years War, the Wars of Religion, the Revolution), while preserving its medieval character. Today, the church remains a testimony of religious architecture in Aquitaine, between Gothic heritage and modern interventions.
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