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Church of Saint-Nicolas-la-Chapelle en Savoie

Patrimoine classé
Patrimoine religieux
Art baroque savoyard
Savoie

Church of Saint-Nicolas-la-Chapelle

    D113
    73590 Saint-Nicolas-la-Chapelle
Église de Saint-Nicolas-la-Chapelle
Église de Saint-Nicolas-la-Chapelle
Église de Saint-Nicolas-la-Chapelle
Église de Saint-Nicolas-la-Chapelle
Église de Saint-Nicolas-la-Chapelle
Église de Saint-Nicolas-la-Chapelle
Église de Saint-Nicolas-la-Chapelle
Église de Saint-Nicolas-la-Chapelle
Église de Saint-Nicolas-la-Chapelle
Église de Saint-Nicolas-la-Chapelle
Crédit photo : Clem0609 - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1600
1700
1800
1900
2000
Fin XIe siècle
Foundation of the Priory of Megève
1606
Prêche de Saint-François de Sales
1701
Old church state
1766
Orderly reconstruction
20 juin 1989
Historic Monument Protection
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Box B 691): registration by order of 20 June 1989

Key figures

Saint-François de Sales - Preacher and Bishop Preached in the church in 1606.
Quenot - Architect Author of the first plans in 1766.
Jean Dupuy - Architect Quenot's successor for reconstruction.
Joseph Gillardi - Artist sculptor Realized retables and high altar.
Jean-Charles Moulin - Artist sculptor Collaborated with retables and baldaquins.
Henri Modena - Painter-Decorator Restore the scenery in 1942.

Origin and history

The church of Saint-Nicolas-la-Chapelle finds its roots in the medieval history of the Val-d-Arly. At the end of the 11th century, the Benedictines founded the Priory of Megève, on which the parish of Saint-Nicolas-la-Chapelle initially depended, the first to be detached. Saint Francis de Sales preached there in 1606 in a primitive church, then composed of a nave with a stand, a choir and six chapels. This building, mentioned as old in 1701, threatened to ruin in the middle of the eighteenth century.

In 1766, the bishopric ordered the reconstruction of the church, entrusting the plans to architects Quenot and Jean Dupuy. The new building adopts a Latin cross plan with a unique nave and transept. The retables of the transept, the high altar and its baldaquin are made by artists Joseph Gillardi and Jean-Charles Moulin. The painted decoration, executed in 1866, was restored in 1942 by Henri Modena, then in 1977 by Faurot and Garnier. The church, protected by a decree of 20 June 1989, now embodies a Savoyard religious and artistic heritage.

The building reflects the stylistic and liturgical evolutions of its time, mixing medieval heritage and Baroque influences. Its history also illustrates the importance of Benedictine priories in the Alpine religious organization, as well as the role of bishops in preserving places of worship. The successive restorations of the 19th and 20th centuries bear witness to a constant desire to enhance this local heritage, now owned by the municipality.

External links