First mention of the church 951 (≈ 951)
Countess Mathilde of Ampugnani asks to be buried there.
XVe siècle
Change of possession
Change of possession XVe siècle (≈ 1550)
Pass to the Camaldules after the Benedictines.
1646
Chapel in ruins
Chapel in ruins 1646 (≈ 1646)
Mention in an episcopal report.
1954
Restoration of the building
Restoration of the building 1954 (≈ 1954)
Works after centuries of degradation.
18 octobre 1983
Historical Monument
Historical Monument 18 octobre 1983 (≈ 1983)
Official protection of the French State.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church of Santa Maria (Box B 320): Order of 18 October 1983
Key figures
Mathilde d'Ampugnani - Countess
Requested his burial in 951.
Marliani - Bishop of Mariana and Accia
Reported the ruins in 1646.
Origin and history
The Church of Santa Maria de Pruno, located in Upper Corsica, is a religious building of Romanesque architecture, built mainly in the 11th and 12th centuries. It is distinguished by its elongated plane, composed of a single nave covered with an apparent wooden frame and a vaulted apse in cul-de-four. Its construction apparatus reveals two distinct phases: the oldest, visible on the north wall and part of the south wall, uses flat stones alternating with cut slabs, typical of local medieval techniques.
The church was originally attached to the Benedictine Abbey of San Salvador and San Mamiliano, located on the island of Monte Cristo. As early as 951, it was mentioned as existing, the Countess Mathilde d'Ampugnani even asking him to be buried there. In the 15th century, it passed under the possession of the Camaldules, a reformed monastic order. A Romanesque chapel, probably built between the 12th and 13th centuries, was quoted in ruins in 1646 during a pastoral visit, before being restored in 1954.
Classified as a Historical Monument in 1983, the Church of Santa Maria illustrates the close links between Corsican religious communities and local authorities in the Middle Ages. Its history also reflects the architectural and spiritual transformations of the region, marked by Benedictine influences and then Camaldules. Modern restoration has preserved this heritage, although its exact location remains approximate according to available sources.
The current structure retains traces of the two construction periods, with a characteristic nave and a cul-de-four apse. The materials used, such as flat stones and slabs, bear witness to the local resources and know-how of the time. Despite records of ruins in the 17th century, the building survived thanks to subsequent interventions, highlighting its historical and cultural importance for Pruno and Haute-Corse.
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