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Church of the Carmelites of the Pont-de-Beauvoisin au Pont-de-Beauvoisin en Savoie

Patrimoine classé
Patrimoine religieux
Eglise gothique
Savoie

Church of the Carmelites of the Pont-de-Beauvoisin

    23-27 Rue de l'Hôtel de ville
    73330 Le Pont-de-Beauvoisin
Église des Carmes du Pont-de-Beauvoisin
Église des Carmes du Pont-de-Beauvoisin
Église des Carmes du Pont-de-Beauvoisin
Église des Carmes du Pont-de-Beauvoisin
Église des Carmes du Pont-de-Beauvoisin
Église des Carmes du Pont-de-Beauvoisin
Crédit photo : Patrice78500 - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
1419
Start of work
1454
Fire of the convent
1497
Reconstruction of the portal
1506
Destruction of the Church
1565
Pillow of the convent
1803
Becoming parishioner
1844
Interior decoration
1992
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Box A 533): Order of 16 October 1992

Key figures

Jacques de Clermont - Local Lord and Benefactor Financed the reconstruction with Anne de Varax.
Anne de Varax - Wife of Jacques de Clermont Helped to restart worship.
Guillaume Oysellet - Prior of Saint-Béron Financed the portal in 1497.
Emmanuel Crétet - Minister of Napoleon, local native Protected the building with his brother.
Alonzo et Giuseppe Antonio Avondo - Piedmontese decorators Authors of the frescoes of 1844.

Origin and history

The Carmes church of the Pont-de-Beauvoisin, originally a convent for a community from Aix-en-Provence in 1419, was marked by regional and religious conflicts. Fired in 1454 and rebuilt by Jacques de Clermont and Anne de Varax, it was looted (1565) and destroyed repeatedly. Donors, like Guillaume Oysellet (portal of 1497), financed its gradual restoration in the 16th and 17th centuries.

It became a parish church under the name Our Lady of the Assumption in 1803 after the concordat, and was reworked with a bell tower and decorated in 1844 with 2,800 m2 of frescoes by the Avondo brothers (copies of Gaudenzio Ferrari) and biblical stained glass windows. Emmanuel Crétet, Napoleon's minister and native of the city, protected the building with his brother Henry, mayor. Today, the capital hall serves as a municipal hall.

Its architecture, typical of beggars (a single-collateral nave), is home to curiosities such as a tombstone with pistols (Jean Louis) or a source arranged under the choir, a place of pilgrimage until the First World War. Ranked Historic Monument in 1992, it also preserves 45 tumular stones and portraits of benefactors, including the Clermonts.

The frescoes (classified in 1987) and the 19th-century stained glass windows, such as the Assumption of the Virgin or Saint Simon Stock, illustrate its transformation into a parish worship site. Historical conflicts (Dauphiné-Savoie wars, Revolution) and the weak religious community (8 to 15 monks) marked its evolution, until its abandonment after the Carmes massacre in Paris (1792).

External links