Construction Saint-Cyrice church 1852-1866 (≈ 1859)
First modest church near the cemetery.
1885
Order to Henri Pons
Order to Henri Pons 1885 (≈ 1885)
Project to replace Saint-Cyrice.
septembre 1886
Laying the first stone
Laying the first stone septembre 1886 (≈ 1886)
Official start of construction.
1888
Completion of seven capitals
Completion of seven capitals 1888 (≈ 1888)
Directed by the sculptor Couderc.
28 juin 1898
Church Consecration
Church Consecration 28 juin 1898 (≈ 1898)
End of work and inauguration.
3 novembre 2005
Registration historical monument
Registration historical monument 3 novembre 2005 (≈ 2005)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Cd. AM 128): registration by decree of 3 November 2005
Key figures
Henri Pons - Architect
Church designer, inspired by Conques.
Mgr Bourret - Sponsor
Initiator of construction.
Couderc - Sculptor
Author of capitals in 1888.
Origin and history
The church of the Sacred Heart of Rodez was built between 1886 and 1898 to meet the spiritual needs of the growing urban suburbs. The architect Henri Pons, inspired by the Abbey of Sainte-Foy de Conques, designed a neo-Roman style building, typical of the 19th century, with a Latin cross and an apse flanked by staggered chapels. A first modest church, Saint-Cyrice, built around 1852-1866 near a cemetery, proved insufficient in the face of population growth.
The construction was launched in 1886 under the impetus of Bishop Bourret, with a first stone laid in September this year. The site, marked by sculpture works like the seven capitals realized by Couderc in 1888, was completed in 1898 with the consecration of the church. The building is distinguished by its octagonal tower-lantern above the transept, its limestone facades, and an interior decor dominated by mosaics and sculptures.
Ranked a historical monument in 2005, this church illustrates the influence of medieval pilgrimage churches on 19th century religious architecture. Its plan, its vaulted sides, and its dome on trunks reflect a desire for greatness and symbolism, while integrating into the urban landscape of Ruthenian. The two square towers surrounding the facade, surmounted by stone arrows, reinforce its imposing and sacred character.
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