Building construction 1864 (≈ 1864)
An act of openness to worship.
milieu du XIXe siècle
Construction of church
Construction of church milieu du XIXe siècle (≈ 1950)
Period of neo-Gothic conception by Abbé Combalot.
1er avril 2003
Historical Monument
Historical Monument 1er avril 2003 (≈ 2003)
Total protection of the church and its land.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box B 776): inscription by decree of 1 April 2003
Key figures
Théodore Combalot - Abbé and prime contractor
Church designer, promoter of the Gothic Revival style.
Haour - Architect
Technical contributor to Abbé Combalot.
Origin and history
The church of Châtenay, located in the Isère department (38), is a religious building built in the mid-19th century. It embodies the neo-Gothic architectural style, deliberately chosen by its designer, Abbé Théodore Combalot. This stylistic choice reflects a desire to break with anticlerical currents inherited from the French Revolution and the Enlightenment, while affirming a strong religious identity in the region.
Consecrated in 1864, this church illustrates the socio-religious tensions of the time, marked by a clergy determined to restore its influence after the political upheavals of the previous century. Abbé Combalot, the project's project manager, is working with architect Haour to erect a monument that will become a local symbol of Catholic resistance to the progressive secularization of society.
Ranked Historic Monument by Order of April 1, 2003, the church is fully protected, including its cadastral parcel (B 776). Owned by the commune of Châtenay, it now bears witness to both a remarkable architectural heritage and a page of turbulent religious history. Its location, although documented (164 La Grande Carrière), remains of an accuracy deemed satisfactory a priori according to the criteria of the Merimée base.
The context of its construction is part of a period when neo-Gothic churches proliferated in France, carried by a momentum of religious reconstruction and medieval nostalgia. In Auvergne-Rhône-Alpes, a region marked by a strong rural and Catholic identity, these buildings play a central role in community life, serving both places of worship and social gatherings.
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