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Church à Vandières dans la Marne

Marne

Church

    6 Rue Saint-Antoine
    51700 Vandières
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Crédit photo : MTOURE51 - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1791
Sale of a parish bench
1855
Restoration of the altar Saint Barbe
1856
Gift of the painting of the Virgin
14 février 1921
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church: Order of 14 February 1921

Key figures

Louis d'Alligret - Lord of Vandières He was buried in the church in 1680.
Henri de la Barge - Lord of Vandières He was buried in 1694 with his wife.
Charles de Douart - Lord and Marguillier He was buried in 1757 in the church.
Marquis de Narp - Benefactor Redeem the altar of Saint Barbe in 1855.
M. Desrousseaux - Donor Offer the painting of the Virgin in 1856.

Origin and history

The church of Saint-Martin de Vandières is a Catholic parish church located in the commune of Vandières, in the department of Marne (Great East). Ranked a historic monument since February 14, 1921, it is distinguished by its Latin cross plan, its typical Champagne porch and its flat bedside. The nave, with a wooden ceiling, has only one collateral in the south, while the bell tower dominates the transept cross. Inside, the building houses a main altar dedicated to Saint Martin, a second dedicated to Saint Barbe (patrimony of the hamlet of Trotte), as well as a painting of the Virgin offered in 1856 by the Desrousseaux family.

The 240-seat nave benches were historically rented to local families to finance the parish factory. Some benches were reserved for notable families, such as the Desrousseaux-Ména or the Presle, who acquired them in 1791. The church also retains burials of local lords, including Louis d'Alligret (1680), Henri de la Barge (1694), or Charles de Douart (1757), reflecting his central role in Vandières' aristocratic and religious memory.

The adjoining cemetery houses the graves of French and British soldiers of the First World War, testifying to the troubled history of the region. The building, owned by the commune, remains an active place of worship while embodying almost four centuries of local history, between devotion, seigneurial power and Champagne architectural heritage.

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