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Church of Our Lady of Bourisp dans les Hautes-Pyrénées

Patrimoine classé
Patrimoine religieux
Eglise gothique
Hautes-Pyrénées

Church of Our Lady of Bourisp

    Le Village
    65170 Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Église Notre-Dame de Bourisp
Crédit photo : Filou - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
XIIIe siècle
Romanesque origins
après 1513
Construction of the bell tower
1583
Expansion of the nave
1591-1592
Paintings
1868
Arrow edification
18 mai 1960
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Notre-Dame Church (cad. A 463): Order of 18 May 1960

Key figures

Guilhem Christia - Mason or architect Suspected author of the bell tower (after 1513).
Bernard Labarthe - Mason Builder of the north side (1583).
Durand - Architect Responsible for the 1871 works.
Marc Salvan-Guillotin - Art historian Studyed paintings (2002).

Origin and history

The church of Notre-Dame de Bourisp, located in the Hautes-Pyrénées in Occitanie, is a building mainly built in the 16th century, although Romanesque elements (like a window at the base of the bell tower) attest to an older origin, probably 13th century. Ranked a Historic Monument in 1960, it is distinguished by its vast painted program, rare in the valleys of Aure and Louron, as well as its late Gothic architecture and subsequent additions. The nave, enlarged in 1583 by a north side, ends with a polygonal vaulted apse, while the bedside was modified in the 18th and 19th centuries to pierce bays.

The painted decoration, made between 1591 and 1592 for certain parts, covers vaults and walls of religious scenes: Last judgment, Seven capital sins (represented by women tempted by demons), Passion of Christ, or a genealogy of the Virgin. These frescoes, combined with symbols of the evangelists and the Church Fathers, testify to the spiritual importance of the place. The church was also a place of pilgrimage linked to a miraculous statue of the Virgin, discovered according to legend by an ox at the place called Sescas, where it was built. The bell tower, attributed to Guilhem Christia (after 1513), and the octagonal arrow added in 1868 complete its architectural history.

The building replaces an ancient Romanesque church dedicated to Saint Orens, whose ruins lasted until the 18th century. Until that time, the name of the parish oscillated between Saint-Orens and Notre-Dame, reflecting a double devotion. The transformations of the 19th century (1871), such as the enlargement of the windows or the modification of the rostrum by architect Durand, complete to shape the present church. Its classification in 1960 highlights its heritage value, both for its architecture and for its exceptional painted decor, studied by historians such as Marc Salvan-Guillotin (2002).

External links