First attested building 630 (≈ 630)
Mention of a first church on the site.
1080-1083
Enlargement and Blessing
Enlargement and Blessing 1080-1083 (≈ 1082)
Works and consecration of the Romanesque building.
1801
Dissolution of the Dean
Dissolution of the Dean 1801 (≈ 1801)
End of the dean of Laon after 7 centuries.
1814
Russian army passage
Russian army passage 1814 (≈ 1814)
Damage during Napoleonic campaigns.
1922
Historical monument classification
Historical monument classification 1922 (≈ 1922)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: Order of 1 February 1922
Key figures
Jean Jouvenet - Artist
Suspected author of the "Vierge du Magnificat".
Charles Hidé - Local historian
Studyed murals in 1861.
Origin and history
The church of Notre-Dame de Bruyères-et-Montbérault, located in the department of Aisne, has its origins since the 7th century, with a first building attested in 630. In the 11th century, expansion works were undertaken in 1080, followed by a blessing in 1083. At that time, it became the seat of a dean of the bishopric of Laon, bringing together twenty-four parishes and seven annexes, a status which she retained until 1801. The church then housed relics of several saints, including Caprais, Felix and Peregrinus.
Over the centuries, the monument suffered numerous degradations: damaged during the religious wars in 1567 by the Huguenots and in 1587 by the leaguers, it was then transformed into a stable during the Revolution. Modern conflicts also affected, serving as German ambulance during the First World War and suffering damage during the passage of Russian armies in 1814. Despite these events, it was listed as a historic monument in 1922.
Architecturally, the church is characterized by a fortified 13th-century bell tower, untied above the north transept, and a Romanesque bedside decorated with a central apse and two cul-de-four apsidioles. The nave, made up of six spans and two coasts dating from the 12th century, houses murals exposed during restorations, as well as a harmonium on a Western stand. Among its furniture are the baptismal fonts of the eighteenth century, statues of the seventeenth and eighteenth centuries, and a Virgin of the Magnificat attributed to Jean Jouvenet.
The restorations preserved major historical elements, such as the murals studied in 1861 by Charles Hidé. The church remains a testimony to the architectural evolutions and historical upheavals of Picardia, from its medieval role as a religious centre to its military use in modern conflicts.
Announcements
Please log in to post a review