Construction of the nave XIIe siècle (≈ 1250)
The oldest Romanesque part.
1520-1530
Sculpture *The education of Mary*
Sculpture *The education of Mary* 1520-1530 (≈ 1525)
Work in polychrome limestone.
XVIe siècle (milieu)
Reconstruction of the choir and transept
Reconstruction of the choir and transept XVIe siècle (milieu) (≈ 1650)
Flamboyant Gothic style, fragile part.
1840
Historical monument classification
Historical monument classification 1840 (≈ 1840)
Official protection of the building.
1870
Replacement of the bell tower
Replacement of the bell tower 1870 (≈ 1870)
Positioned in front of the big gate.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: ranking by list of 1840
Key figures
Jean Nicot - Artist
Author of *The Assumption* (table).
Prisonnier incarcéré à Troyes (XIXe siècle) - Anonymous author
Creator of Christ and created beings.
Origin and history
The Church of Notre-Dame-de-l'Assomption de Montiéramey, located in the Aube department in the Grand Est region, is a building built over centuries. The nave, the oldest part, dates from the 12th century and illustrates Romanesque art, while the choir and transept, rebuilt in the 16th century, reflect the flamboyant Gothic style. These two parts mark the major architectural stages of the monument, with a noticeable fragility in the structure of the choir, requiring frequent restorations.
The tower of the bell tower, originally located on the side, was replaced in 1870 to be positioned in the extension of the central nave, in front of the large gate. This late reshuffle reflects the successive adaptations of the building in line with liturgical and structural needs. The church houses rich furniture, including paintings, sculptures and stained glass windows of the 16th and 19th centuries, as well as a 12th century baptismal tank, highlighting its heritage and religious importance.
As a historical monument since 1840, the church of Montiéramey embodies a major architectural and artistic heritage. Its protected elements, such as stained glass windows depicting biblical scenes or polychrome limestone sculptures, illustrate the diversity of artistic influences that marked its history. The precise location of the building, at 6 Rue de l'Église, makes it a central point in the cultural landscape of the commune.
The furniture includes notable works, such as Christ and created beings and Christ and elected ones, made by a prisoner of Troyes in the 19th century, or the Assumption of John Nicot. These pieces, combined with sculptures such as The Education of Mary (1520-1530) or The Deplore of Mary (16th century), reinforce the historical and spiritual value of the building. The stained glass windows, also dating from the 16th century, complete this set by offering an overview of the techniques and religious narratives of the time.
The church, owned by the municipality of Montiéramey, remains an active place of worship while attracting visitors for its exceptional heritage. Its early ranking among historical monuments underscores its role in preserving local and regional history. Available sources, such as Wikipedia and the Merimée database, document its evolution and characteristics, ensuring a lasting transmission of its heritage.
Finally, the precise address and GPS coordinates allow easy location, facilitating access to visitors. The building, open to the public, continues to play a central role in community life, while serving as a witness to the architectural and artistic transformations that occurred between the Middle Ages and the modern era.
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