Construction of the roman bedside XIIe siècle (≈ 1250)
Pentagonal horse with defensive floor and sculptures.
Fin XIIe - début XIIIe siècle
Added nave spans
Added nave spans Fin XIIe - début XIIIe siècle (≈ 1325)
Three Gothic spans and side chapels.
4 novembre 1983
Protection for historical monuments
Protection for historical monuments 4 novembre 1983 (≈ 1983)
Classification of the abside, inscription of the nave.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Apse (Case D 299): Order of 4 November 1983; Nef (Case D 299): entry by order of 4 November 1983
Origin and history
The Notre-Dame-de-l'Assomption church of Sainte-Marie-la-Mer, located in the Pyrénées-Orientales, is a 12th century Romanesque building. It is distinguished by its pentagonal bedside, an architectural feature for the region, topped by a defensive floor accessible by an outdoor gallery supported by quadruple stone crows. This bedside, built of cut stone assembled in large apparatus, is pierced by windows in full hanger decorated with carved columns and capitals, surmounted by a frieze of gear teeth. The facade also features a series of decorative crows.
The history of the church reveals a construction in two main phases. The bedside, probably completed at the end of the 12th century, was initially connected to a choir of the same height and apparatus, whose remains mark the route of the lateral walls of the early Romanesque construction. About a century later, three bays of nave were added, two of which were lined with vaulted chapels in a transverse cradle. The western span, surmounted by a stand, as well as the western gate, are modern additions. The analysis of the walls suggests that the original Romanesque nave, if never finished, was destroyed to give way to the Gothic part, reinforced by foothills between which the chapels were inserted.
In terms of heritage, the church is classified as historical monuments since 4 November 1983, while the nave is listed on the same date. These protections highlight the architectural value of the building, combining defensive novel elements and Gothic additions. The presence of a fortified floor above the bedside reflects the defensive concerns of the time, perhaps related to regional tensions or the need to protect a strategic place of worship. Today, the church belongs to the municipality of Sainte-Marie-la-Mer and remains a significant testimony of the Languedoc Romanesque art.
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