First indirect indication 1218 (≈ 1218)
Donation involving Jean chapelain d'Eviant.
1250
Papal Bull
Papal Bull 1250 (≈ 1250)
Cultural building mentioned as Marian.
1260-1265
Traditional construction
Traditional construction 1260-1265 (≈ 1263)
Estimated period of main work.
1974
Partial MH classification
Partial MH classification 1974 (≈ 1974)
Registration by order of 1 July.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Ranked MH
Key figures
Jean chapelain d'Eviant - Local Chaplain
Mentioned in 1218 in an act.
Pierre de Savoie - Savoyard Lord
Linked to the nearby castle, political context.
Pierre Christin - Contemporary Painter
Author of the Way of the Cross (XXe/XXIe).
Origin and history
The Church of Our Lady of the Assumption of Évian-les-Bains, located in Haute-Savoie, has its origins in the early thirteenth century. A papal bubble of 1250 already attests to the existence of a cult building dedicated to the "Blessed Mary in her Assumption". However, there are indications of an even older foundation, such as the mention of a local chaplain, John d'Eviant, in an act of donation to the Abbey of Aulps in 1218. The traditional construction dates from 1260 to 1265, but its link with the castle of Pierre de Savoie and the increasing administrative role of Evian in the 13th century suggests an earlier origin in the same century.
The church presents a typical rectangular plan, with a central nave flanked by two side-slopes, a discreet transept and a flat-side choir topped by a bell tower. His remarkable elements include a 16th century painting of Notre-Dame de Grace and a contemporary cross path designed by local painter Pierre Christin. The building also houses stalls, a bas-relief and sculptures from the 15th and 16th centuries, testifying to its rich furniture heritage.
Partially classified as historical monuments by decree of 1 July 1974, the church illustrates the architectural and spiritual evolution of the medieval Savoy. Its term Marian, confirmed in 1250, and its proximity to Savoyard power make it a religious and political symbol of the region. Classified objects, such as the Virgin of the Rosary or the statue of Saint Catherine, reinforce its heritage importance, mixing Gothic art and local devotion.
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