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Notre-Dame-de-la-Dauride Church of Tarascon-sur-Ariège dans l'Ariège

Patrimoine classé
Patrimoine religieux
Eglise gothique
Ariège

Notre-Dame-de-la-Dauride Church of Tarascon-sur-Ariège

    1-4 Rue de la Daurade
    09400 Tarascon-sur-Ariège
Église Notre-Dame-de-la-Daurade de Tarascon-sur-Ariège
Église Notre-Dame-de-la-Daurade de Tarascon-sur-Ariège
Église Notre-Dame-de-la-Daurade de Tarascon-sur-Ariège
Église Notre-Dame-de-la-Daurade de Tarascon-sur-Ariège
Église Notre-Dame-de-la-Daurade de Tarascon-sur-Ariège
Église Notre-Dame-de-la-Daurade de Tarascon-sur-Ariège
Crédit photo : Carlos Pino Andújar - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1500
1600
1700
1800
1900
2000
XIe siècle
First church
1568 et 1582
Disasters
1599
End of Protestant worship
Milieu du XVIe siècle
Reconstruction
XVIIIe siècle
Major renovations
13 novembre 1990
Registration MH
2016
Revolutionary discovery
Aujourd'hui
Aujourd'hui

Heritage classified

Église Notre-Dame-de-la-Dauride (cad. A 958) : inscription by order of 13 November 1990

Key figures

Information non disponible - No character cited Sources do not mention any specific historical actors.

Origin and history

The Notre-Dame-de-la-Daurade church of Tarascon-sur-Ariège, classified as a historic monument in 1990, has its origins in the 11th century, but the current building was rebuilt in the 16th century on the foundations of an earlier church, used until 1530. From a trapezoidal plane, she integrates the old transepts into her choir and adds a pentagonal apse. The Wars of Religion (1568, 1582) severely damaged the church, which was even converted to Protestant worship until 1599, before being profoundly reshaped in the 18th century. Its architecture then blends Gothic elements, such as the dogive crosses of the choir, with baroque additions, a portal of which was remodelled in the 18th century.

Renovation work in 2016 revealed blue-white-red wallpapers probably dating from the Revolution, considered unique in France. These discoveries highlight the evolution of the building, marked by periods of conflict and cultural transformation. Inside, entirely covered with walnut, houses a monumental altarpiece of the choir, adorned with a central painting of the Crucifixion framed by the statues of St Peter and St Paul, surmounted by representations of the Annunciation (Vierge Mary, St Gabriel) and St Michael Archangel.

The church also holds four paintings in the choir, illustrating biblical scenes: the Adoration of the Shepherds, the Presentation of Jesus in the Temple, the Assumption of Mary, and a fourth not clearly identified subject (perhaps the Trial of Jesus). Its furniture, partially referenced in the Palissy base, and its bell tower — not detailed in the sources — complete an architectural ensemble reflecting the religious and artistic upheavals of Ariège between Renaissance and the Enlightenment century.

External links