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Church of Our Lady of La Jarne en Charente-Maritime

Patrimoine classé
Clocher-mur
Art roman saintongeais
Charente-Maritime

Church of Our Lady of La Jarne

    3-37 Rue Vivonne
    17220 La Jarne
Église Notre-Dame de La Jarne
Église Notre-Dame de La Jarne
Église Notre-Dame de La Jarne
Église Notre-Dame de La Jarne
Église Notre-Dame de La Jarne
Église Notre-Dame de La Jarne
Église Notre-Dame de La Jarne
Église Notre-Dame de La Jarne
Église Notre-Dame de La Jarne
Crédit photo : Patrick Despoix - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1000
1100
1200
1300
1700
1800
1900
2000
Xe siècle
First parish mention
XIe siècle
Donation to Saint-Cyprien Abbey
XIIe siècle
Construction of the Romanesque façade
XVe et XVIIe siècles
Expansions of the nave
16 septembre 1907
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Façade: by order of 16 September 1907

Key figures

Elbe, comte de Châtelaillon - Donor in the 11th century Offered the church in Saint-Cyprien de Poitiers
François Louis Brossard de Beaulieu - Painter assigned to the retable Suspected author of the 18th century table

Origin and history

The Church of Our Lady of La Jarne, located in the village of La Jarne in New Aquitaine, is one of the oldest places of worship in Aunis, mentioned since the tenth century. It was offered in the 11th century by Elbe, Count of Châtelaillon, at the abbey of Saint-Cyprien de Poitiers, before relying on the priory of Doeuil-sur-le-Mignon, then returning to the bishop of Saintes. This monument illustrates the successive architectural transformations, with a nave enlarged in the 15th and 17th centuries and a choir rebuilt in the 18th century.

The Romanesque façade, the only vestige of the 12th century, has been classified as a historical monument since 1907. It is distinguished by its archvolt portal, its column foothills and its carved modillon cornices evoking symbolic scenes (siren, centaur, wrestlers). These elements reflect Poitevin Romanesque art and moral concerns of the time, such as the fight against vices. The current campanile, a modern addition, houses two bells.

Inside, an 18th-century altarpiece, decorated with a painting attributed to François Louis Brossard de Beaulieu, bears witness to the artistic evolution of the place. Subsequent changes (wars of Religion, enlargements) underline its central role in parish life and local political issues. Today, the façade remains the heritage jewel of this church, a symbol of the medieval and religious heritage of the region.

External links